"Artist Amy Guidry with Gallery 549 Director Don LeBlanc"
I think you should give the people what they want, and I have noticed as of late searches to my blog for info on the Second Saturday Artwalk in Lafayette, LA. So since I am a regular attendee and sometimes exhibiting artist of the ArtWalk, I thought I should provide a schedule for this month.
The April Artwalk is in conjunction with Festival International, so there are some special performances listed. Kind of short notice, but all of this will take place TOMORROW- April 10th.
6:30pm-8:30pm Recycled Cycles Trio Del Rio 6pm-8pm in front of Green Room Rhythm/Soul & Kabuki Kru with special guests Desert Shadows Belly dancers, DJ Dokda J, DJ Prima & DJ Andino 6pm-6:30pm & 7pm-8pm Jefferson St. Market Les Djembles (8 drummers playing West African Rhythms) 6:30pm-7pm Parc de Lafayette The Ryan School of Irish Dance 6pm Corner of Polk & Garfield on Marley’s side Lafayette High Arts Academy (street theater) 6pm-8pm in front of AcA For the Moment (Barbershop Quartet) 6pm-8pm Gallery Sans Souci Nouveau String Band 6pm-8pm Strolling along Jefferson St. Sweet Olive
Acadiana Center for the Arts– 101 W. Vermilion St. / 233-7060
Main Gallery: Through April 24, 2010; Susan Shaw: Moving Violations
Side Gallery: April 10 – 24, 2010; Festival Poster Artist: M. Craig “Whoojoo” McCullen & Bonnie Camos
Vault Series: Through April 24, 2010; Emily Wortman: Out Of The Rice Fields
Art House Circle Gallery: March 30 – April 10, 2010; LJ Alleman Student Showcase
Cajun Spice– 535 Jefferson St / 232-3061 Eclectic Chairs, Mosaics and More by Tanya Falgout April 10 through May 31
Cité des Arts– 109 Vine St. / 291-1122 Vestiges and Songs From a Room, two exhibits by Caroline Goodell
Galerie Eclaireuse– 535 Jefferson St. / 234-5492 Sue Boagni and Paul Schexneider
Gallery 549– 549 Jefferson St. / 593-0796 April Group Exhibitionfeaturing works by over 20 local artists
Gallery R (at The Russo Group)– 116 E. Congress St. / 769-1530 Les Ailes: The Art of Reggie Michael Rodrigue
Pottery Alley– 205 W. Vermilion St. / 267-4453 Esprit du Fest– Jessica Odell Courville
Amy Guidry's work in the No Dead Artists exhibit at Jonathan Ferrara Gallery
I came across an article the other day in the October 2009 issue of Allure magazine that I wanted to share. Their “Insider’s Guide” series usually takes on interesting topics with a sort of “how-to” approach. I found this one particularly interesting since it deals with art. Rory Evans wrote the piece “How to Visit an Art Gallery” which can be found online at http://www.allure.com/howtos/2010/01/visit_art_gallery. Silly as it may seem, there are many people that have never even set foot in a gallery before and honestly are intimidated. You don’t need to wax poetic about art or philosophy in order to attend an opening or visit a gallery on your own time. Just as anyone can appreciate music or film, the same goes for the visual arts. I can’t play an instrument, but I like Mozart. There’s no harm in that.
So here are some basics. First, galleries are free to visit. You are under no obligation to buy anything and you don’t have to pay to enter. (Museums usually have an admission cost or a suggested admission cost, but it won’t break the bank.) Galleries are generally open Tuesday through Saturday. Openings are generally held on weekends, usually the first or second weekend (be it a Friday or Saturday) of the month. Openings are held in the evenings in most cases, and are late hours with a high attendance. During the week it will be quieter, so you will have more opportunities to focus on the art and even stand back and view the work as a whole.
Galleries and museums both offer work for sale, but not all work is for sale in a museum. So if you are looking to buy, you have more options with galleries. They also change their shows on a monthly basis (for the most part), so there is always something new to see. Galleries will also introduce you to more “new” artists that may not have had as much exposure yet, whereas museums usually grant shows to more established artists.
Understanding the art does not require the Rosetta Stone. For starters, there’s usually an artist statement posted in the gallery whenever there is a show. The artist statement is written by the artist and is their personal account for their work. This will give you a good general idea about the roomful of work you see. It goes without saying, but also take into consideration the name of the show and the titles for the individual artworks. Many artists will admit that there are multiple interpretations of their work and that’s perfectly normal. You may see something different than the artist, or maybe you can add to what the artist feels. There’s no right or wrong answer. No one can tell you how to feel or what to feel, that’s your interpretation to make. All the artist can do is provide you with the information. And even if you do not have the opportunity to meet with the artist personally, you can always ask someone that works for the gallery. As for this artist, I am always open to questions, so feel free to contact me at www.AmyGuidry.com.
Awhile back, fellow artist Buddy Nestor asked if I would like to have my portrait done for a series he’s showing at The Toothless Cat Gallery. I was thrilled to be asked, and now I can share the result with you. The series is “Every Girl Goes to Hell” and will be on display at The Toothless Cat Gallery in Philadelphia, PA starting April 3rd. Buddy has painted numerous female artists for the series, choosing them based on their own artwork. Some of those artists include Edith Lebeau, Peggy Wauters, and Katie Perdue.
In Buddy’s own words, “All of the models I use for these portraits are very beautiful. However, when I paint them, they are very ugly.” But are they ugly? I find them quite intriguing, myself. You be the judge- the opening reception will be April 3rd from 6-10pm and the exhibit will be up through April 28th. For more of Buddy’s work, visit his website at http://buddynestorartwork.com.
"Untitled (Heads)" by Amy Guidry; (c) Amy Guidry 2010
I have some exciting news to share! My work was selected as a runner-up in the Creative Quarterly magazine’s CQ19 competition. This is the first time I’ve ever entered, so this was a nice surprise. Here’s their bio: “Creative Quarterly publishes the best work being done internationally in graphic design, illustration, photography and fine art. Published four times a year, we’re the only competition accepting entries from all parts of the globe.”
So as a runner-up my work will be featured on their website- www.cqjournal.com in June to coincide with the 19th issue on newsstands at that time. By the way, they picked my painting “Untitled (Heads)” as seen on the left. (Good thing, since that was the only piece I chose to enter!) You can see a larger photo on my website www.AmyGuidry.com.
Here’s a list of all of the winners:
Fine Art: Professional
Marie Bukowski
Sonja Danowski
Barbara Duval*
Brent Funderburk*
William Grigsby*, Reactor Art & Design Ltd.
Jillian Ludwig
Andrew Myers
Bruce Roberts*
Kerstin Stephan
Fine Art: Student
Sean Larson, University of Wisconsin-Stout
Angela Young
Graphic Design: Professional
Matteo Bologna*, Mucca Deslgn Corp.
Andrew Byrom
Adrienne Hooker, Studio Wan-ker
Therese Joanis, Leibold Associates, Inc.
Buck Smith
Christine Strohl, The Strohls
Alex Trochut
Marius Valdes, Zoo Valdes
Rozina Vavetsi, Rozina Vavetsi
Karin Von Ompteda, A Work of Science
Graphic Design: Student
Jeffrey Carpenter, University of Wisconsin-Stout
Johnny Chang, Art Center College of Design
Jiyun Ha, Art Center College of Design
Wayne Tang, Art Center College of Design
Jou Ying Liu
Illustration: Professional
Leeay Aikawa
Vlad Alvarez
Scott Bakal
Hans Baltzer
Sonja Danowski
Felix Gephart
Beppe Giacobbe*
Robin Hursthouse
Carl Johanson
Esa Peltonen
Giselle Potter
Steven Tabbutt
Hui Tsai
Illustration: Student
Catherine Choi, California College of the Arts
Sam Wolfe Connelly, Savannah College of Art & Design
Barbara Graetzer, Fashion Institute of Technology
Tory Novikova, Pratt
Shigeko Okada, School of Visual Arts
Alexa Thoen, Minneapolis College of Art & Design
Christine Wu
Photography: Professional
Michael Alberstat, Alberstat Productions Inc.
Marti Belcher
David Ellingsen
Elwin Goh
Steffanie Halley
Jens Honore
Harold Lee Miller
Jes Schrom
Richard Tuschman, Richard Tuschman Images
CQ19: Runners-Up
Runners-up will be displayed on the online Gallery June 2010.
Fine Art: Professional: Runner Up
Paul Cooper
Kelli Craig
Barbara Duval*
Brent Funderburk
Amy Guidry
Chunghee Han
Anita Kunz
Roselyn Leibowitz
Wade Mickley
Jane Powers
Lucas Richards*, MouseSaw
Steven Tabbutt
Jaime Zollars
Fine Art: Student: Runner Up
Antony Anderson, Minnesota State University Moorhead
Abby Cline
Sean Larson, University of Wisconsin-Stout
Zach Nader
Cole Swavely, Massachusetts College of Art
Angela Young
Ina Yun, Cranbrook Academy of Art
Graphic Design: Professional: Runner Up
Phil Choo, Choo Renyer Ball Loftis
Allan Espiritu
Yongseuk Lee, Adhesive Art & Design
Jamie Burwell Mixon, Mixon Freelance
Kurt Munger, Interbrand
Buck Smith*
David Ter-Avanesyan, Ter33 Design
Graphic Design: Student: Runner Up
Sara Alway, Temple University/Tyler School of Art
Sean Barnes, Texas State University, San Marcos
Emanuel Cohen, Université du Québec à Montréal
Jiyun Ha, Art Center College of Design
Katie Hatz*, Temple University/Tyler School of Art
Elizabeth A Herrmann, Maryland Institute College of Art
Jee Won Kim, Art Center College of Design
Amanda Mocci, Université du Québec à Montréal
Francesca Staffieri, Montgomery County Community College
Cynthia Wiley, Iowa State University
Illustration: Professional: Runner Up
Timothy Banks
Pascale Carrington
Matthew Daley, Three in A Box, Inc.
Marcelo Garcia, Aparelho Produtor de Imagens
Felix Gephart
Michael Glenwood
Katrina Kopeloff
Jesse Kuhn
Keith MacLelland
Michael Marsicano
June Michel
Isaac Orloff
Zara Picken
Chris Riely
JungYeon Roh
Matt Rota
Morgan Schweitzer
Kerstin Stephan
Sara Tyson
Andrew Wright
Heidi Younger
Vincent Zawada
Daniel Zitka
Illustration: Student: Runner Up
Christian Castro, Fashion Institute of Technology
Marian Dilan, California College of the Arts
David Gonzalez, Fashion Institute of Technology
YooJin Guak, Ontario College of Art & Design
Nicole Jarecz, College for Creative Studies
Deena Pagliarello, Sheridan Institute
Christine Wu
Photography: Professional: Runner Up
John Abousief
Marti Belcher
Andy Bloxham
Jae Chung
Chris Koules
Jonas Kulikauskas
Harry Longstreet
Yshihiro Makino
Harold Lee Miller*
Jes Schrom
Brian Smale
Richard Tuschman, Richard Tuschman Images
Merrell Virgen, VSPOT Photography
Rachel Waller
Photography: Student: Runner Up
David Corso, Indiana University
Stephen Crimarco, University of Central Florida
Dan Elstone, Langara
Meghan Fischer
Nicole Gavrilles, Ringling College of Art & Design
Frederic Gosselin
Jessica Holcomb, Cal Poly Pomona
Ashley Matthews, Louisiana Tech University
I thought I would share some photos from the opening I had the other night for the 6@549 show. The opening was a big hit at Gallery 549 during the Second Saturday Artwalk for March. The gallery was literally packed with people the entire time. Which is great, of course, but sometimes you can’t get a good view of the art when there’s such a large crowd. So, hopefully this will remind everyone to go by and see the show while it’s still up for the next couple of weeks.
Amy Guidry with her painting, “The Wild West”
Artist Deborah Norsworthy and a guest at the 6@549 show
Montage of image details from the 6@549 show
More photos will be posted on my website soon, so check out www.AmyGuidry.com. And if you are in the area, be sure to check out the show. This is a great opportunity to see the work in person. Artists featured are myself (Amy Guidry), Deborah Norsworthy, Diane Pecnik, Lisa Ayres, Marie DesJardins, and Mary Attwood.
"The Wild West" by Amy Guidry. (c) Amy Guidry 2010
I’ve had a lot of interest in Studio Visit Magazine as of late. Hopefully most of you have found your answers in some of my recent posts. So low and behold, I received an acceptance letter (and email!) from Studio Visit Magazine. My work was selected for inclusion in the Summer 2010 edition. So this will be Volume…10? Not sure, but I think there’s a Winter edition about to come out…then the Summer edition. The juror for this volume was Dina Deitsch, Assistant Curator of Contemporary Art, deCordova Sculpture Park + Museum in Lincoln, MA. For those who don’t know, Studio Visit is published by The Open Studios Press and is the sister publication to New American Paintings. It is a nationally conducted juried competition featuring 2D and 3D work. Oh, and in case you haven’t seen it- the painting that will be in the magazine is “The Wild West” which I’ve included a small image of here. There’s a closeup of it on my website www.AmyGuidry.com
I have recently finished another addition to my new series of work. This painting is titled “Vulnerable” and will be featured in my group exhibition, 6@549, at Gallery 549 in Lafayette, LA next month. It’s an acrylic on canvas, 24″ x 12.” I included a hare in the last painting from this series but this time he is a main character. The concept of vulnerability is interesting to me since as humans, we assume that we are invincible- be it physically or emotionally. Obviously this isn’t true, and sometimes it’s the things that we least expect that harm us.
For more from this series, or to view my entire body of work, please visit my website at www.AmyGuidry.com
Awhile back I wrote about a potential scam, which then got me into some hot water. I do feel, however, that it is important to discuss this issue since scams seem to run rampant among the art community. (Do emails from Nigeria ring a bell?) To be clear, I am not talking about art competitions that don’t lead to overnight success. I’m talking about competitions that are dead-ends with someone looking to run off with your money. These are the real scams. Often these are run by people with shady financial backgrounds (bankrupt, etc.), but this is not always easy to find on the internet. So here are some common traits I’ve come across:
First, the organization that’s running the competition is probably one you’ve never heard of before. If you do a search for their name on the internet, you may come up with nothing. If other artists have had success with said competition, they post it on the internet via blogs, press articles, resumes, etc. There will be a trail.
If the organization contacts you directly via email, and again, you’ve never heard of them, then where did they get your contact information? This is not to say that every email you get from a stranger is a scam, but usually the email should at least be directly written to you. If it is a mass emailing, then clearly they are just shooting arrows in hopes of hitting a target.
Who are the jurors? Often scams do not give names of jurors. They can certainly make up jurors as well, so that is why I highly recommend you do your research.
One of the more flagrant traits of an art competition scam is the deadline extension. I’ve seen many legit competitions extend a deadline (for example, the original deadline falls on a holiday) but usually the reason for the extension is stated in such a case. And, not to mention, this is usually done by a competition that is well-recognized in the first place. The ones to worry about are the ones that nobody’s ever heard of and they extend their deadline…again…and again…and again. Keep tabs on their websites and you’ll find this to be true.
Lastly, if the prize money is outlandishly big, but their company looks cheap, then it’s probably a scam. Successful arts organizations that have money to dole out, also have money to hire a great marketing team. Their websites will be top-notch, their logo is well-designed, and there are no grammatical errors on their marketing materials. One of the best examples I discovered was a website with overlapping text and photos. You have 10 grand to give me but you don’t have the money to hire a decent web designer? Oh, and their photos should be of actual events and of their actual gallery, etc. If all they have is stock photography (or NO photography), then something is fishy.
"Girl on Campus" by Amy Guidry; (c) Amy Guidry 2010
I received some exciting news in the mail the other day. My work has been selected for inclusion in the LaGrange National XXVI Biennial Exhibition at the LaGrange Art Museum. The juror for the exhibit happens to be New Orleans’ own J. Richard Gruber, Director of the Ogden Museum of Southern Art. The exhibit will be held at the LaGrange Art Museum in LaGrange, GA. I’ve shown in Atlanta before, but this will be a first for me in LaGrange. So more good news- there will be a color catalog of the exhibition and there will be Purchase Awards granted. I’m keeping my fingers crossed. Okay, details- the exhibit will be on display from February 26th through April 17th, 2010. Hopefully with such a long exhibition period, more of you will have the opportunity to see the work in person. The opening reception, as well as the awards announcements, will be February 26th from 6-8pm. More info to be posted at www.AmyGuidry.com.
My latest work may be strange or grim or surreal, depending on whom you ask. So I thought I’d lighten things up a bit and show that I’m capable of painting a variety of things. Babies, for example. I do commissioned paintings every so often, so for this piece, I painted this delightful little boy for a collector of mine. The painting is titled “Pierce” and is 11 inches wide by 14 inches high, acrylic on canvas. The pose works great for this piece since he’s practically popping out of the canvas. And who can resist that face? The photo here doesn’t quite do it justice, but you can get a better look at it on my website under the Portraits category of the Gallery at www.AmyGuidry.com.
