In the Eye of the Beholder

As you may recall, I posted earlier that I would be the juror for the Eye of the Beholder XXVI competition at the Lafayette Art Association.  I made my selections for the awards (note: you’ll have to wait until the reception to know the results- my lips are sealed) and upon writing my juror’s statement, I thought it might be helpful to those that enter or even attend such events to know what it is like from the other side.  First, I am an artist- I am usually the one submitting my work for judgement, be it a juried exhibition, an exhibition proposal to a gallery, or a portfolio review.  I’ve always had some semblance of what it must be like for a juror to sort through hundreds of entries, having to make tough calls, and break hearts.  Given the fact that I am an artist and know firsthand what it is like to be on the receiving end, I know how significant my choices are to the artists involved.  In some ways I think it may be harder for artists to serve as jurors simply because we know what it is like to subject ourselves to these critiques.  Some of the artists were complete beginners up against established artists.  Nevertheless, I remained as objective as possible and looked at each piece as an individual.  It was not easy given there were many strong works.  There were even significant works that did not receive an award.

After I made my selections, I felt good about the variety of work, in which my eclectic taste came in handy for once.  I would have loved to give everyone an award for their efforts and to acknowledge the merits of their work but at the same time, I wouldn’t want to diminish the awards for those pieces I felt were particularly strong.  It is a tough call, and I can say from experience that there are many factors involved in judging a show, some of which are completely out of the artist’s hands and are nothing against the work itself.  Sometimes the only difference between an award-winner and a non-award winning piece is an emotional response.  That doesn’t mean the work isn’t any good- it’s my response, therefore it will be different from person to person.

In the end, I hope that the artists know that they have all contributed to make a great exhibit.  I also hope that they continue to challenge themselves as well as aim for more exhibits and competitions.  And the take-away here is just because a piece isn’t selected doesn’t mean it should be taken out of rotation.  If it’s a work that you are fond of, keep submitting it for other opportunities.

If you would like to see the results and show your support for the artists, please attend the awards reception on August 19th from 4:30-6pm at the Lafayette Art Association on 1008 E. St. Mary Blvd.

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Succession

“Succession” by Amy Guidry; acrylic on canvas; 6″w x 12″h; SOLD; (c) Amy Guidry 2012

I’ve just finished another painting in the In Our Veins series while simultaneously working on my painting One for The Great West Coast Migration exhibit.  This painting is titled Succession and is 6″ wide by 12″ high, acrylic on canvas.  It just arrived at Wally Workman Gallery in Austin, TX the other day and will be included in their upcoming show, 100 Degrees, starting August 4th through September 1st.  When working on this piece, I was thinking of orders- biological orders, our need for order, hierarchy.  The human skull at the bottom leads up to larger animals and butterflies, illustrating how new life grows and is sustained by dead organisms.  The horse and the rose at the top- though I took artistic liberty with the rose- utilize their placement and size to emphasize their importance.  While humans may be the more dominant species, I wanted to focus on the significance and the role of other species in nature.

View the painting online here: www.amyguidry.com/succession.html.  You can also see it in person at Wally Workman Gallery in Austin, TX during the 100 Degrees Preview Party on August 2nd from 6-8pm and during the opening reception August 4th from 6-8pm.

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Art Melt

"Survival of the Fittest" by Amy Guidry; acrylic on canvas; 36"w x 18"h; (c) Amy Guidry 2012

Excited to announce that my work has been selected for the 2012 Art Melt.  The jurors for this year’s event are Franklin Sirmans (Terri and Michael Smooke Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art);  Ron Platt (Hugh Kaul Curator of Modern and Contemporary Art, Birmingham Museum of Art); and Thomas Neff (Artist and Professor, Louisiana State University).  The event will be held at the Shaw Center for the Arts in Baton Rouge, LA.  There will be a Preview Party in which awards and a jurors’ talk will be given on July 13th from 7-11pm.  The opening reception for the event will be held July 14th from 5-10pm and will remain open through August 3rd.

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Doodle Virus Call for Art

I wanted to share info on a recent email I received.  The Acadiana Center for the Arts (AcA) is planning an exhibit called Doodle Virus and have announced an open call for work.  Artists are invited to submit “doodle art, altered postcards, manipulated photos, poems, old receipts or even dimensional work” as long as the footprint is 4″x6″ (in either direction).  All work will be mounted anonymously and priced at $20 each.  Proceeds will benefit the AcA’s exhibition department to help offset the cost of shipping and transporting works for future shows.

Postcards/work due: June 30th

Opening reception (coincides with Second Saturday Artwalk: July 14th, 6-8pm at the AcA in Lafayette, LA

During the exhibit, the public will be asked to contribute doodles which will be added to the show for the August Artwalk on August 11th, 6-8pm

For more information contact the AcA at: http://acadianacenterforthearts.org/

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Summer Show

"The Pack" by Amy Guidry; acrylic on canvas; 20"w x 10"h; (c) Amy Guidry 2012

I received some great news recently that my painting The Pack was selected for inclusion in the STAA 47th National Juried Exhibition- The Summer Show.  The juror for the show is Miranda Lash, Curator of Modern and Contemporary Art for the New Orleans Museum of Art.  The Pack is from my In Our Veins series and is an acrylic on canvas, 20″ wide by 10″ high.  The exhibit will open July 14th, with an opening reception from 6-9pm at The Art House gallery in Covington, LA.  The show will remain open through August 11th, with a closing reception as well from 6-9pm with a talk by several of the exhibiting artists.

Selected artists include: Michael Aldana, Casey Ausman, Peter Barnitz, Emily Binder, Andrew Boyd, Heather Brammeier, Alma Bryan Powell, Joshua Chambers, Yvette Creel, Robert Dutruch, Michael Elliott-Smith, Ellen Fisher, Pippin H. Frisbie-Calder, Richard Gilles, Amy Guidry, Kelly Hider, Jane Hill, Claire Lewis Evans, Patrick Lera, Patrick Luber, Don Maitland, Erin McKee McNutt, Sally Richards, Leslie Robertson, Kate Ryan, Charles Simms, Terry Vermillion, and Jaclyn Warren

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Turning the Tide

"The United States of Consumerism" by Amy Guidry; acrylic on canvas; 30"w x 24"h; Private Collection; (c) Amy Guidry 2012

First, I should apologize for my absence last week.  I have lots going on and much to share, which I will be doing over the week so be on the lookout.  As some of you may know, last week the arts community of Louisiana received some sad news- legislators approved a 1/3 cut in Decentralized Arts Funding (DAF) and Statewide Art Grants (SAG).  This affects an estimated 148,000 jobs, Louisiana’s tourism industry, as well as artists, teachers, museums, libraries, theaters, art centers, festivals, among others.  The news is grim, especially given the fact the Arts tend to be the first that are cut and already do not receive enough funding.  I personally know of small museums and art centers that have been struggling to get any kind of funding and risk closing.

So what can we do?

The most obvious answer deals with how we vote and voicing our opinion to local and national politicians.  Thanks to the internet and groups such as Louisiana Citizens for the Arts, you can stay up to date on these issues and contact the appropriate individuals with the click of a button.  And don’t worry about writing the most profound letter, either.  My thoughts are as long as you are writing something, even if it’s just to send the form letter already provided, it will make a difference.  All correspondence adds up.

That being said, politicians need to see numbers.  Letters and phone calls are great, but it also boils down to whether the public is willing to put their money where their mouth is.  You say you love art, but do you really?  They need to see the numbers.  Numbers being the tourism dollars, the tax revenue, the number of people attending arts events, and so on.  If you want to prove that these artists and organizations matter, as well as support them along the way, you need to do the following:

Buy art— Seriously.  This is not some propaganda I’m passing along because I’m an artist.  If you buy art you’ll support artists, galleries, museums, and art centers so they can continue to thrive in your community rather than closing down or moving somewhere else where they appreciate art.  In turn, those sales taxes and income taxes from art speak highly in the eyes of the government.  Funding goes to those that make money and are a good investment.

Attend events— Support your local arts community by attending performances, exhibit openings, lectures, and so forth.  You’ll have an entertaining evening and know you’re making a difference in the process.  Even if it’s a free event, you’re still helping because those numbers matter.

Sign the guestbook— So many people attend an event and pass by the guestbook without signing.  Maybe you don’t think it’s important or you are weary to share your information.  Whatever the case may be, you need to sign the guestbook.  Those names translate to numbers.  Museums and art centers report those numbers in order to prove their importance and receive funding.  No one wants to support a museum if they have no visitors.  So sign your name- you don’t have to give any other information unless you want to- as long as there is a name, it adds to the numbers.

Become a member— Aside from government funding, these organizations receive funds from, well, you!  Paying for an event is great, but if you really want to help, become a member.  You can join any or all, and there are various levels for joining most groups.  Many museums and art centers offer general membership at reasonable rates, some offer rates for students and seniors, so check their websites.

How do you support the Arts?  Feel free to add ideas in the comments section.

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