“Expatriate” by Amy Guidry; Acrylic on canvas; 20″w x 10″h; SOLD; (c) Amy Guidry 2015“Veil” by Amy Guidry; Acrylic on canvas; 6″ x 6″; SOLD; (c) Amy Guidry 2015
I’ve recently added two new paintings online. As you may recall, I’ve posted progress photos of the first painting, Expatriate. It is now finally finished- acrylic on canvas, 20″ wide by 10″ high. The second painting is titled Veil, also an acrylic on canvas, 6″ by 6.” View the paintings online here http://amyguidry.com/expatriate.html and here http://amyguidry.com/veil.html.
Something you may not know about me:
I like to work in my studio alone. It helps me focus, especially when I’m working on a more challenging aspect of a painting. I do have “roommates,” though, and occasionally a cat will be asleep on my lap while I paint. These moments are short, as cats tend to change their sleeping areas throughout the day, but has become an almost daily occurrence. So this is a photo from my vantage point behind the easel.
View from my side of the easel while working on “Exposed”; (c) Amy Guidry 2015
“Exposed” by Amy Guidry; Acrylic on canvas; 8″w x 10″h; (c) Amy Guidry 2015
My work was recently featured as the “Artist Spotlight” on Cult Collective. The interview was conducted by Editor Drea Sobieski and features several works from my In Our Veins series. You can read the interview online here: http://thecultcollective.com/artist-spotlight-amy-guidry/.
“Crutch” by Amy Guidry; Acrylic on canvas; 12″w x 6″h; SOLD; (c) Amy Guidry 2014
Some think that as a “new” artist, you have to start selling your art very low until you start selling like crazy, then you can raise your prices. A lot of people would multiply the width by height of their art and that number would be the price. Or if you’re “good,” you can then multiply that by 2. What?
While there is some truth to starting out small when you are a new artist, it is absolutely ridiculous to think that a painting that took 40 (or more) hours to create should be worth a paltry amount. Not to mention supply costs, packaging and shipping costs, and any other fees such as to your photographer or web designer. Starting out, you won’t be able to recoup all of your costs, but that doesn’t mean you have to fall that short of doing so.
For the most part, I have yet to see any emerging artist overcharging for their work. It’s usually the opposite.
Why is it that when we make something by hand, it must be cheaper than anything else? Why are we willing to shell out more for some mass-produced, made-in-china crap than for something created, an original mind you, by a “starving” artist? And why do artists feel that their work isn’t worth it? Is it lack of confidence? Is it because the grass is greener on the other side? Whatever the reasoning, it needs to stop.
Be proud of your work. It’s the only one in the world. There are no others. It’s unique. And you made it yourself. It was created from your imagination and unwavering dedication. You spent endless hours sketching it, then actually producing it, forgoing weekends or holidays off, and time with your family just to finish this one piece of art. Why settle for less? Be confident in your work and the rest will follow.
