Where it all begins

Pages from my sketchbook (c) Amy Guidry 2013

One of the most popular questions I get is how I come up with ideas for my next painting or my next series.  I’m always coming up with ideas and sometimes they may not pertain to my current body of work, although sometimes they do, but either way, I catalog all these ideas, thoughts, and notes in my sketchbooks.  I keep a small sketchbook- well, it’s actually a diary, hence the lined pages- on my nightstand.  At night when I’m going through my mental checklist of stuff to do- the neverending list- I try to clear my head of all this stress and mental noise to come up with some of my best ideas.  That’s not to say that I don’t have inspirational moments during the day, but there are lots of distractions that can inhibit or halt the creative process.  Sometimes I get ideas or maybe just ‘tidbits’ from dreams, or sometimes an idea or a solution to a painting may just pop into my head once I’m rid of distractions and thinking clearly.  Either way, I keep my sketchbook handy and get these ideas on paper, no matter the hour, for fear of forgetting them later.  They’re not always the most legible and the thumbnail drawings are pretty messy, but it’s enough to jog my memory.

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Safety in Numbers

“Safety in Numbers” by Amy Guidry; acrylic on canvas; 20″w x 10″h; SOLD; (c) Amy Guidry 2013

My latest painting is finally complete!  I’ve been posting my progress along the way on this painting which you can see here and here.  The title is Safety in Numbers and it is an acrylic on canvas, 20″wide by 10″high.  It is the most recent addition to my In Our Veins series.  View a larger image of the painting (as well as use the zoom feature) at this direct link: www.amyguidry.com/safety-in-numbers.html.

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Sold

“Anthropomorphism” by Amy Guidry; acrylic on canvas; 6″ x 6″; SOLD; (c) Amy Guidry 2013

Another painting from my In Our Veins series has recently found a new home.  My painting Anthropomorphism is an acrylic on canvas, 6″ x 6,” and one of the most recent paintings from the series.  It is currently on exhibit in the 1000 Words show in the Main Gallery of the Acadiana Center for the Arts, so if you haven’t had the opportunity to see it in person, there is still time.  The exhibit is open now through July 13th.

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1000 Words Opening Night

The 1000 Words exhibition opened at the Acadiana Center for the Arts last Saturday night.  The opening was held in conjunction with the Second Saturday Artwalk in Lafayette, Louisiana.  I have a few photos from the opening- more are posted on my website at this direct link: www.amyguidry.com/events.html.  If you missed the opening, not to worry because there will actually be other ‘openings’ during the June and July Artwalk.  The exhibit is open now through July 13th.

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In Progress

In progress work by Amy Guidry; acrylic on canvas; 20″w x 10″h; (c) Amy Guidry 2013

I’ve made great strides with my latest painting.  I’ve just about finished the background and will be moving on to the gazelles next.  The size of the canvas is 20″ wide by 10″ high.  I’ll be posting the finished painting here soon!

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Art and Press: Show Me Some Love

“The Wild West” by Amy Guidry as featured in Professional Artist magazine’s article “Communicating Social Messages through Art, Partnership and Publicity” by Renee Phillips

A recent discussion online brought up the lack of enough media coverage of visual art.  It is true that the number of features written about art have gone down over the past several years and it doesn’t help that some publications suffered from the economic downturn.  Some suggested that art may be too “complicated” for people to understand (bah!) while others thought bias may be given to other art forms such as music or literature.  There may be some truth to this, but I think the real reasons are much bigger.  To start, art is a luxury item and is marketed as such.  There are some smaller works that are more affordable for a wide range of budgets, but for the most part, art is a luxury item which means it is expensive due to scarcity, quality, technique, and materials, thus the price reflects this.  Part of the appeal of luxury items is that they are exclusive.  This shrinks the number of people that not only own such items, but also those that may feel comfortable enough to ask for the price.  Now, I don’t believe that art has to be completely out of reach and there are ways that it can be an easier purchase without sacrificing the artist’s own time and expense but that is another topic.  For the moment, let’s just stick with high-end luxury items.

Adding to this exclusivity are many galleries that like to orchestrate exactly which hands their works go in.  There are many blue-chip galleries which only want to see their artists in the “right” collection, thus adding to the gallery’s status.  And I have to admit that there are those galleries with the infamous “gallerina” giving the cold shoulder to visitors.  Most galleries don’t operate this way but unfortunately this is the common perception.  The “white box” psychology has taken over and makes many people uncomfortable with the art world.

To top it all off, I find that many artists and even galleries do not send out press releases to the media or when they do, it’s the same drivel that many writers receive over and over again.  It’s a boring presentation of facts- who, what, where, when, and if you include an artist statement, why.  Sure, it’s a big deal to the artist and to the gallery that they’re having a show, but why should it be a big deal to the public?  The public wants a story.  I’m an artist and even I find press releases about shows to be a snore.  I want to know the artist’s life story- why they created this work and I don’t mean some nonsensical philosophy using every vocabulary word you had to learn for the SAT’s.  What brought you to this point in your life?  What did you overcome to make this work?  What in your travels inspired this series?  It doesn’t have to be dramatic like a soap opera- although that sort of thing always interests the media- but it should be informative enough that a writer can weave this into a great story.

Even if you are lucky enough to get the elusive great review in an art magazine, these publications are for a specific niche and are not read by the general public.  If you want your art to be seen in mainstream media, as was expressed in this conversation, then you’re going to have to broaden your reach, be proactive, send press releases (good ones!!), and ask for interviews.  Be your own PR team.  Let the public get to know you as a person.

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