Tag Archives: gallery

Collecting Art

"Cuzco" by Frededric O. Daspit; wood with acrylic and iron oxide
"Cuzco" by Frededric O. Daspit; wood with acrylic and iron oxide

I recently purchased a wall sculpture by Fred Daspit and thought it would be nice to share some photos of a few pieces from my art collection. I spend a lot of time showing my work, meeting other artists, and obviously hanging out in galleries, so it’s no surprise that I’d get the collecting bug. It’s one thing to hang your own art in your home, but to have work from other artists in different styles and media is entirely another.

As I was taking photos, I started to consider why I purchased these particular works of art. Given the fact that I am an artist, I thought it might be interesting to consider collecting art from the buyer’s perspective. Obviously I enjoy the art in my collection and find it aesthetically pleasing, but clearly there’s more to it than that. So what drives one to buy art? I think this is something all artists, myself included, have asked ourselves at some point in time. I don’t know that there is any one answer, given there are different buying

Untitled by Tom Ladousa; ceramic
Untitled by Tom Ladousa; ceramic

“styles” out there. However, I do think there are a few common traits amongst buyers. As I said, I buy art because I like it and most people like the art they purchase (those that purchase art solely as an investment may not necessarily like the work).

"Ship" by Troy Dugas; vintage prints on wood panel
"Ship" by Troy Dugas; vintage prints on wood panel

As an artist, I also understand the value of art. I’m well-aware that it took a hell of a lot of time to create that masterpiece I’m about to buy, and it’s only fair that the artist is paid for their time and skill. I don’t give away my work, so I certainly don’t expect anyone else to.

Another factor is liking the artist. It’s not just about liking the work, but also liking the person behind the work. I have purchased from artists I never met, or met after the fact, but most works are by people I know and like. Those I don’t know personally have a good reputation amongst the art community, though.

Lastly, the fact that these artists are in the public eye on a regular basis serves as a great reminder that I should buy their work. And when I say public eye, I don’t necessarily mean they are featured in the news or received some big accolade. It could be their personal emails to me or a postcard invitation to a show. Anytime I see their name, it just reminds me of their work and the fact that I would like to own a piece.

Some people buy on impulse, some buy because it’s just a great deal, but I think it’s safe to say that all of us should get out there and meet and greet if we want to sell art. With that said, if you would like to see and learn more about my work, be sure to check out my website at www.AmyGuidry.com.

August in Austin

Detail shot of work in progress by Amy Guidry; (c) Amy Guidry 2010
Detail shot of work in progress by Amy Guidry; (c) Amy Guidry 2010

I always enjoy my visits to Austin, Texas since there’s so much to do and so much to look at- it’s absolutely beautiful. And it just so happens that I am represented by one of their great galleries- Wally Workman Gallery. So this August, I will be in Austin for Wally Workman’s 30th Anniversary show. This will be a huge show, so it’s a good thing the gallery is large itself. All of the represented artists will be showing several new works. Add that up and it’s colossal. And let’s not forget- thirty years! This speaks volumes in the art world where- unfortunately- many galleries don’t make it two years, much less thirty. So in celebration, Wally Workman Gallery is having a show preview on August 5th in conjunction with First Thursday Artwalk. The blowout party and opening reception will be held August 7th from 6-8pm. And if you can’t make either of those evenings (or both!), the exhibit will be up through August 28th.

As for me, I have been toiling away on a new piece to submit for the show. It’s 3 feet long, so this is one of the biggest pieces I’ve done in this latest series of work. I have included a sneak peek- just a small portion of the painting. It’s not the best photo either since I took it myself.  Haha.   But it gives the basic idea… and of course I will be posting the painting in its entirety once it’s officially finished. So in the meantime, if you’d like to see more of my work, be sure to visit www.AmyGuidry.com.

Coming Soon!

"Special Ingredients" by Amy Guidry; (c) Amy Guidry 2010
"Special Ingredients" by Amy Guidry; (c) Amy Guidry 2010

Funny that I just wrote a post on how to get your work published,that I received some good news regarding my own art. I had submitted my work to Adbusters Magazine quite some time ago and the right opportunity has finally presented itself. It just so happens my painting “Special Ingredients” is the perfect fit for one of their features and will be in the July/August 2010 issue. (That’s it on the left!) More good news- my work will also be featured with an artist’s profile/gallery on the beinArt Surreal Art Collective. I’ve been a fan of this site for quite awhile now and am honored to be included among the many talented artists featured there. I don’t have an exact date on when my work will be posted, but I will let everyone know as soon as it is online. In the meantime, be sure to check out their site (the name is a link!) and also be sure to check out Adbusters- online or in the bookstore. And if you would like to see more of my work, visit my website at www.AmyGuidry.com.

Helpful Hint- Boosting Your Publicity

May issue of Art Calendar Magazine- my profile is featured on pg. 44
May issue of Art Calendar Magazine- my profile is featured on pg. 44

One question that I seem to get repeatedly as an artist, and not from viewers but from other artists, is “how do you get your work published?” On my website, you will find a Press section in which I post articles in newspapers, magazines, and sometimes online articles about my work. (Take a look at www.amyguidry.com/press.html) If I had to estimate, I would say that 70% of those originated because I notified writers and editors about my exhibits or announcements. (For the record, Art Calendar’s Louise Buyo contacted me- I just got lucky on that one!) Of course these days, press is viral, so if one blog or paper publishes you, another will then post something. I’ve had that happen a lot as well, which I did not directly influence. Anyway, I want to give you some helpful information to boost your own publicity.

First, assuming you already know what you want to promote, make a list of your local media. If it’s an out-of-state show, you should also do some research and find their media contacts as well. Get some double-duty out of your efforts. Once you have your media contacts- names of actual people, not just the name of the newspaper, etc., you can start writing your press release. I’m no writer, (yes, ironic since I have a blog…), but I always write a press release when I have a show or a big award or something I think the general public may find interesting. In your press release, which I like to limit to a one-page letter for expediency, you should give the usual- who, where, when, how, and why. You don’t want to write a bland description covering all these bases. I know- but isn’t that the writer’s job- to spruce things up? Yes, but there is a lot of news out there in the world, and especially for newspapers, it has to be covered quickly on a daily basis and they don’t have enough writers to possibly cover everything. This means you need to get their attention with something that sounds too great to not write about and make it easy for the writer to get all their information in the least amount of time possible.

So, here’s how to do it: You need a pitch. You can’t just write, “I am having an exhibition this Saturday at the Big Time Art Museum.” Start brainstorming. What reasons do you have for the public to find this interesting?   Think in terms of impressing not just your writer or editor, but the public as well since that’s who you’re ultimately trying to impress. Think of what would matter most to the public. What is the most significant factor behind your news? How will it affect the public? Think of this as telling a story, not just stating facts.

Once you have your letter written, you can then add to your press release by including images. Either photographs, or a CD, or a brochure- just something with images pertaining to your news. A CD may be best since the writer can automatically use images from it, but if you can also offer to email high-resolution images. Oh, and be sure to send all of this to your media prospects well in advance of your event. I have found that it can take up to 3 months to get coverage, so the sooner the better. Depending on the publication, they may be booked for awhile and not able to fit your story in on short notice. Regardless, give at least a month’s notice to ensure at least some coverage.

Don’t be discouraged if you don’t hear back right away… or at all even.  Sometimes it takes a few tries, especially if you are unfamiliar to the media.  Be persistent (and patient!).   Questions? Feel free to ask.  Comments?  Let me know. www.AmyGuidry.com

Next Stop

"Freedom" by Amy Guidry; (c) Amy Guidry 2010
"Freedom" by Amy Guidry; (c) Amy Guidry 2010

If you’ve been following my blog, you may recall awhile back that I was to have a show at the Schepis Museum in Columbia, LA. Well, since that show had been planned a year in advance, and a lot can happen in the meantime, there were renovations being made that turned into a bigger project than expected. So my show had to be postponed. Well, I am happy to say that the time has come and my exhibit will open next month at the Schepis. This will be a solo exhibition of my New Realm series. This series has been in several locations in Louisiana, as well as Austin and Las Vegas. No two shows have ever been the same since works are sold and replaced or new work has been added by the time another show opens. So on and so forth.

The exhibit will open next month- May- and be open through the end of June. With a two-month display time, this should give many of you a chance to see the work in person. I can’t stress enough that I have to use low-res, small images on the web (thanks to copyright infringement), so seeing my paintings in person is a whole other experience. The opening reception will be held on Sunday, May 30th from 2-4 pm.

Many works from the New Realm series can be seen online at www.AmyGuidry.com. While you are there, be sure to check out my Press section for an article in the current issue of Art Calendar Magazine about New Realm.

Second Saturday ArtWalk Schedule

"Artist Amy Guidry with Gallery 549 Director Don LeBlanc"
"Artist Amy Guidry with Gallery 549 Director Don LeBlanc"

I think you should give the people what they want, and I have noticed as of late searches to my blog for info on the Second Saturday Artwalk in Lafayette, LA. So since I am a regular attendee and sometimes exhibiting artist of the ArtWalk, I thought I should provide a schedule for this month.

The April Artwalk is in conjunction with Festival International, so there are some special performances listed. Kind of short notice, but all of this will take place TOMORROW- April 10th.

6:30pm-8:30pm Recycled Cycles Trio Del Rio
6pm-8pm in front of Green Room Rhythm/Soul & Kabuki Kru with special guests Desert Shadows Belly dancers, DJ Dokda J, DJ Prima & DJ Andino
6pm-6:30pm & 7pm-8pm Jefferson St. Market Les Djembles (8 drummers playing West African Rhythms)
6:30pm-7pm Parc de Lafayette The Ryan School of Irish Dance
6pm Corner of Polk & Garfield on Marley’s side Lafayette High Arts Academy (street theater)
6pm-8pm in front of AcA For the Moment (Barbershop Quartet)
6pm-8pm Gallery Sans Souci Nouveau String Band
6pm-8pm Strolling along Jefferson St. Sweet Olive

Acadiana Center for the Arts– 101 W. Vermilion St. / 233-7060
Main Gallery: Through April 24, 2010; Susan Shaw: Moving Violations
Side Gallery: April 10 – 24, 2010; Festival Poster Artist: M. Craig “Whoojoo” McCullen & Bonnie Camos
Vault Series: Through April 24, 2010; Emily Wortman: Out Of The Rice Fields
Art House Circle Gallery: March 30 – April 10, 2010; LJ Alleman Student Showcase

Cajun Spice– 535 Jefferson St / 232-3061
Eclectic Chairs, Mosaics and More by Tanya Falgout April 10 through May 31

Cité des Arts– 109 Vine St. / 291-1122
Vestiges and Songs From a Room, two exhibits by Caroline Goodell

Galerie Eclaireuse– 535 Jefferson St. / 234-5492
Sue Boagni and Paul Schexneider

Gallery 549– 549 Jefferson St. / 593-0796
April Group Exhibition featuring works by over 20 local artists

Gallery R (at The Russo Group)– 116 E. Congress St. / 769-1530
Les Ailes: The Art of Reggie Michael Rodrigue

Pottery Alley– 205 W. Vermilion St. / 267-4453
Esprit du Fest– Jessica Odell Courville

Gallery Hopping

Amy Guidry's work in the No Dead Artists exhibit at Jonathan Ferrara Gallery
Amy Guidry's work in the No Dead Artists exhibit at Jonathan Ferrara Gallery

I came across an article the other day in the October 2009 issue of Allure magazine that I wanted to share. Their “Insider’s Guide” series usually takes on interesting topics with a sort of “how-to” approach. I found this one particularly interesting since it deals with art. Rory Evans wrote the piece “How to Visit an Art Gallery” which can be found online at http://www.allure.com/howtos/2010/01/visit_art_gallery. Silly as it may seem, there are many people that have never even set foot in a gallery before and honestly are intimidated. You don’t need to wax poetic about art or philosophy in order to attend an opening or visit a gallery on your own time. Just as anyone can appreciate music or film, the same goes for the visual arts. I can’t play an instrument, but I like Mozart. There’s no harm in that.

So here are some basics. First, galleries are free to visit. You are under no obligation to buy anything and you don’t have to pay to enter. (Museums usually have an admission cost or a suggested admission cost, but it won’t break the bank.) Galleries are generally open Tuesday through Saturday. Openings are generally held on weekends, usually the first or second weekend (be it a Friday or Saturday) of the month. Openings are held in the evenings in most cases, and are late hours with a high attendance. During the week it will be quieter, so you will have more opportunities to focus on the art and even stand back and view the work as a whole.

Galleries and museums both offer work for sale, but not all work is for sale in a museum. So if you are looking to buy, you have more options with galleries. They also change their shows on a monthly basis (for the most part), so there is always something new to see. Galleries will also introduce you to more “new” artists that may not have had as much exposure yet, whereas museums usually grant shows to more established artists.

Understanding the art does not require the Rosetta Stone. For starters, there’s usually an artist statement posted in the gallery whenever there is a show. The artist statement is written by the artist and is their personal account for their work. This will give you a good general idea about the roomful of work you see. It goes without saying, but also take into consideration the name of the show and the titles for the individual artworks. Many artists will admit that there are multiple interpretations of their work and that’s perfectly normal. You may see something different than the artist, or maybe you can add to what the artist feels. There’s no right or wrong answer. No one can tell you how to feel or what to feel, that’s your interpretation to make. All the artist can do is provide you with the information. And even if you do not have the opportunity to meet with the artist personally, you can always ask someone that works for the gallery. As for this artist, I am always open to questions, so feel free to contact me at www.AmyGuidry.com.

The Other Side of the Easel

"Amy Guidry EGGTH #25" by Buddy Nestor; (c) Buddy Nestor 2010
"Amy Guidry EGGTH #25" by Buddy Nestor; (c) Buddy Nestor 2010

Awhile back, fellow artist Buddy Nestor asked if I would like to have my portrait done for a series he’s showing at The Toothless Cat Gallery. I was thrilled to be asked, and now I can share the result with you. The series is “Every Girl Goes to Hell” and will be on display at The Toothless Cat Gallery in Philadelphia, PA starting April 3rd. Buddy has painted numerous female artists for the series, choosing them based on their own artwork. Some of those artists include Edith Lebeau, Peggy Wauters, and Katie Perdue.

In Buddy’s own words, “All of the models I use for these portraits are very beautiful. However, when I paint them, they are very ugly.” But are they ugly? I find them quite intriguing, myself. You be the judge- the opening reception will be April 3rd from 6-10pm and the exhibit will be up through April 28th. For more of Buddy’s work, visit his website at http://buddynestorartwork.com.

6@549

I thought I would share some photos from the opening I had the other night for the 6@549 show. The opening was a big hit at Gallery 549 during the Second Saturday Artwalk for March. The gallery was literally packed with people the entire time. Which is great, of course, but sometimes you can’t get a good view of the art when there’s such a large crowd. So, hopefully this will remind everyone to go by and see the show while it’s still up for the next couple of weeks.

More photos will be posted on my website soon, so check out www.AmyGuidry.com. And if you are in the area, be sure to check out the show. This is a great opportunity to see the work in person. Artists featured are myself (Amy Guidry), Deborah Norsworthy, Diane Pecnik, Lisa Ayres, Marie DesJardins, and Mary Attwood.

I Live in London and Would Like to Purchase Your Art

Awhile back I wrote about a potential scam, which then got me into some hot water. I do feel, however, that it is important to discuss this issue since scams seem to run rampant among the art community. (Do emails from Nigeria ring a bell?) To be clear, I am not talking about art competitions that don’t lead to overnight success. I’m talking about competitions that are dead-ends with someone looking to run off with your money. These are the real scams. Often these are run by people with shady financial backgrounds (bankrupt, etc.), but this is not always easy to find on the internet. So here are some common traits I’ve come across:

First, the organization that’s running the competition is probably one you’ve never heard of before. If you do a search for their name on the internet, you may come up with nothing. If other artists have had success with said competition, they post it on the internet via blogs, press articles, resumes, etc. There will be a trail.

If the organization contacts you directly via email, and again, you’ve never heard of them, then where did they get your contact information? This is not to say that every email you get from a stranger is a scam, but usually the email should at least be directly written to you. If it is a mass emailing, then clearly they are just shooting arrows in hopes of hitting a target.

Who are the jurors? Often scams do not give names of jurors. They can certainly make up jurors as well, so that is why I highly recommend you do your research.

One of the more flagrant traits of an art competition scam is the deadline extension. I’ve seen many legit competitions extend a deadline (for example, the original deadline falls on a holiday) but usually the reason for the extension is stated in such a case. And, not to mention, this is usually done by a competition that is well-recognized in the first place. The ones to worry about are the ones that nobody’s ever heard of and they extend their deadline…again…and again…and again. Keep tabs on their websites and you’ll find this to be true.

Lastly, if the prize money is outlandishly big, but their company looks cheap, then it’s probably a scam. Successful arts organizations that have money to dole out, also have money to hire a great marketing team. Their websites will be top-notch, their logo is well-designed, and there are no grammatical errors on their marketing materials. One of the best examples I discovered was a website with overlapping text and photos. You have 10 grand to give me but you don’t have the money to hire a decent web designer? Oh, and their photos should be of actual events and of their actual gallery, etc. If all they have is stock photography (or NO photography), then something is fishy.