Tag Archives: Troy Dugas

Collecting Art

"Cuzco" by Frededric O. Daspit; wood with acrylic and iron oxide
"Cuzco" by Frededric O. Daspit; wood with acrylic and iron oxide

I recently purchased a wall sculpture by Fred Daspit and thought it would be nice to share some photos of a few pieces from my art collection. I spend a lot of time showing my work, meeting other artists, and obviously hanging out in galleries, so it’s no surprise that I’d get the collecting bug. It’s one thing to hang your own art in your home, but to have work from other artists in different styles and media is entirely another.

As I was taking photos, I started to consider why I purchased these particular works of art. Given the fact that I am an artist, I thought it might be interesting to consider collecting art from the buyer’s perspective. Obviously I enjoy the art in my collection and find it aesthetically pleasing, but clearly there’s more to it than that. So what drives one to buy art? I think this is something all artists, myself included, have asked ourselves at some point in time. I don’t know that there is any one answer, given there are different buying

Untitled by Tom Ladousa; ceramic
Untitled by Tom Ladousa; ceramic

“styles” out there. However, I do think there are a few common traits amongst buyers. As I said, I buy art because I like it and most people like the art they purchase (those that purchase art solely as an investment may not necessarily like the work).

"Ship" by Troy Dugas; vintage prints on wood panel
"Ship" by Troy Dugas; vintage prints on wood panel

As an artist, I also understand the value of art. I’m well-aware that it took a hell of a lot of time to create that masterpiece I’m about to buy, and it’s only fair that the artist is paid for their time and skill. I don’t give away my work, so I certainly don’t expect anyone else to.

Another factor is liking the artist. It’s not just about liking the work, but also liking the person behind the work. I have purchased from artists I never met, or met after the fact, but most works are by people I know and like. Those I don’t know personally have a good reputation amongst the art community, though.

Lastly, the fact that these artists are in the public eye on a regular basis serves as a great reminder that I should buy their work. And when I say public eye, I don’t necessarily mean they are featured in the news or received some big accolade. It could be their personal emails to me or a postcard invitation to a show. Anytime I see their name, it just reminds me of their work and the fact that I would like to own a piece.

Some people buy on impulse, some buy because it’s just a great deal, but I think it’s safe to say that all of us should get out there and meet and greet if we want to sell art. With that said, if you would like to see and learn more about my work, be sure to check out my website at www.AmyGuidry.com.

Look What I Got!

"Evangeline Maid" by Troy Dugas; Copyright Troy Dugas 2009

Yes, I’m bragging.  Not often that I get to do that.  I (will officially) own a piece by my friend, Troy Dugas, as of March 11th.  It’s currently on display at Gallery 912 in Lafayette, LA, but after that it’s MINE… muahhahahaha (that’s my evil laugh, by the way).  As luck would have it, I was dropping off my piece for the Art of Re-Use exhibit when Troy happened to show just as I was leaving.  So I had to see what he brought knowing I’d want first dibs, er, I mean, knowing that I’d want to purchase a piece to support the Children’s Museum of Acadiana.  When I saw it, I knew I had to have it.  Not that I’m a big fan of Evangeline Maid bread (I only eat 100% whole wheat, not that processed stuff) but given the fact that I love intricate patterns, bright colors, and hell, that bread company is a Louisiana company, I knew I should buy it.

I don’t even have it here with me, so I can only hazard to guess at it’s size, but if photographic memory serves, I’d say it’s 16″ x 20.”  If I’m right, you can be sure I will gloat about this in a later post.  The entire piece is made up of cut-up squares of Evangeline Maid labels that are rearranged into the lovely pattern you see here.  It’s then magically attached to wood- I don’t know all his secrets.  Anyway, you can see more of Troy’s work on his website www.TroyDugas.com (you may have, or should have already done this if you check out my blogroll- these are important links, why else would I post them?!)  And if you’re in New Orleans this month, you can see his work at Arthur Roger Gallery through the 28th.  So get to steppin’!

 

Southern Open 2008 Juried Exhibition

Just a "few" of the guests that arrived when we first got there.

Well, if you weren’t there, you must have been the only person NOT in attendance at the Southern Open this year. The Southern Open 2008 is the second juried exhibition held at the Acadiana Center for the Arts in downtown Lafayette. Last year it had a good crowd and a good number of entries, but this year was overwhelming. Perhaps word has started to spread. Who knows. Regardless, the place was packed, you had to practically yell to be heard, and there were nearly 800 entries (and that’s from only the 5 states allowed to participate). Yowza.

Amy Guidry with juror Peter Frank, art critic and art historian and my painting "Anti-Aging"

As stated in my last post, the juror was Peter Frank, art critic, art historian, and writer for LA Weekly. I had the opportunity to meet him and get my picture taken. The show was very diverse, and as he stated, juried shows allow him to choose a wide range of work as opposed to a typical curated show with more of a direct focus. Makes sense. I appreciate that his taste is eclectic. Sometimes juried shows will favor a particular style, depending on the juror, but this one had variety. Maybe it’s the secret ADD person in me, but I often prefer shows with diverse works. It keeps me interested. I love to see how they all fit together even though they were created by different people.

Amy Guidry, Ralph Bourque and Troy Dugas with his work

Alas, my work did not win any awards, but it was chosen. I’m more than happy to say that. And it was amongst some great work, so I was happy to be in their company. I did think it was placed a little low on the wall, which Peter Frank agreed, so you may notice this in the photos. I guess they had space issues because a lot of pieces were grouped together one above the other.

If you’d like to view all of the photos from the exhibit, you can check them out at www.AmyGuidry.com/slideshow.htm