Tag Archives: “exhibition”

Artwalk

Amy Guidry with Jay Pierret at Gallery 549

Time again for the Lafayette 2nd Saturday Artwalk!  This one will be held October 13th, from 6-9pm in downtown Lafayette.  Several galleries have new exhibits up.  If you haven’t had the chance to check out the Configured & Reconfigured show at the AcA, now is the time to do so since this will be its last day up!  (Also of note, you may recognize Lisa Osborn’s work at the AcA… she is also in the Louisiana Voices exhibit with me at the Hilliard Museum.)  The exhibition lineup is as follows:

Acadiana Center for the Arts– 101 W. Vermilion St. / 337-233-7060
Main Gallery: August 11, 2012 – October 13, 2012- Configured & Reconfigured: Transformations of the Human Body
Side Gallery: October 13, 2012 – November 3, 2012- John Gargano
James S. Mallia Galleria: September 8, 2012 – November 2, 2012- Terry Grow
Coca-Cola Studio: October 13, 2012 – December 1, 2012- Bradley Sabin
Vault Series: September 8, 2012 – October 27, 2012- Margaret Brinkhaus: Gourds

Arts Co-op– 535 1/2 Jefferson St. / 337-344-8657
Clarity Ann Martin

Cajun Spice– 535 Jefferson St / 337-232-3061
Melissa Dronet

Cité des Arts– 109 Vine St. / 337-291-1122
Jim Stacy

Gallery 549– 549 Jefferson St. / 337-593-0796
Paintings, Drawings and Sculpture by Donald LeBlanc. Also featured REFLECTIONS: New ceramic works by Cliff Broussard, Erin Broussard, Susan Chiquelin, Susannah Craig, Zach Gonsoulin, Kathy Pumford, and Teresa Wood

Gallery R (at The Russo Group)- 116 E. Congress St. / 337-769-1530
30 year collection of Downtown Alive! posters

Lounge Art Gallery– 402 S. Buchanan St. / 337-236-5570
Fifty Under Five Hundred group exhibition

Sans Souci Gallery– 219 E. Vermilion St. / 337-266-7999
Terri Kennedy and Carnie Frizzell

Whoojoo Stained Glass– 532 Jefferson St. / 337-269-9310
David Alpha, Whitney Gounsoulin, Tom Ladousa,and Craig McCullen

Zoom Photo Studio– 205-AW. Vermilion St. / 337-781-2036
WHITMORE and Travis Gauthier

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Panel Discussion

I wanted to share a few photos from the panel discussion the other day.  Artists from the “Louisiana Voices: Six Artists Speak to Us” exhibition were invited to hold a panel discussion at the Paul & Lulu Hilliard University Art Museum.  Five of the artists were present: Melissa Bonin, Linda Trappey Dautreuil, Troy Dugas, Amy Guidry, and Lisa Osborn.  The exhibition is currently open at the Hilliard now through December 8th, so be sure to check it out while you are in Lafayette.

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Louisiana Voices: More Info

"The Pack" by Amy Guidry; acrylic on canvas; 20"w x 10"h; (c) Amy Guidry 2012

Quick post today:  As you may know, the Hilliard Museum exhibit that I will be in opens on the evening of the 14th.  There is a press release online which gives a bit more information about the artists and the show itself which I thought everyone might enjoy.  You can read the article at: http://museum.louisiana.edu/news/Louisiana-Voices-Six-Artists-Speak-to-Us.  The exhibition runs September 15th through December 8th at the Paul & Lulu Hilliard University Art Museum in Lafayette, LA.

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Louisiana Voices

"The Wild West" by Amy Guidry; acrylic on canvas; 24"w x 30"h; (c) Amy Guidry 2012

You may recall awhile back my mention of this upcoming exhibition.  It has been scheduled for close to a year and now the opening is right around the corner!  Louisiana Voices: Six Artists Speak to Us will be held at the Paul and Lulu Hilliard University Art Museum in Lafayette, LA as part of the Louisiana Bicentennial.  A couple of artists have been added since that early post so the featured artists are Melissa Bonin, Linda Trappey Dautreuil, Troy Dugas, Amy Guidry, Lisa Osborn, and Marjorie Pierson.  The exhibition will open September 15th with a reception the night before on September 14th from 6-8pm.

The exhibition will remain up through December 8th, so there will be plenty of opportunity to see the exhibit even if you miss the opening reception.  I should mention there will also be an exhibition panel discussion on September 29th at 2pm.  For more information about the exhibit visit: http://museum.louisiana.edu/exhibitions.

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Art Melt 2012

I recently attended the Preview Party for the 2012 Art Melt at the Shaw Center for the Arts in Baton Rouge, LA.  My painting Survival of the Fittest was one of the works selected for the show by jurors Franklin Sirmans (Chief Curator, Los Angeles County Museum of Art); Ron Platt (Curator, Birmingham Museum of Art); and Thomas Neff (Artist and Professor of Art, LSU).  If you missed the Preview Party and the opening reception, no worries as the exhibit will be up through August 3rd.

 

Artist Amy Guidry with her painting "Survival of the Fittest" at the Shaw Center for the Arts
Artist Amy Guidry with Ron Platt, Curator, Birmingham Museum of Art, and Franklin Sirmans, Curator, Los Angeles County Museum of Art
Installation view, Art Melt 2012, The Shaw Center for the Arts
The Shaw Center for the Arts, Baton Rouge, LA

These are just a few of the photos from the event.  View more here: http://www.amyguidry.com/events.html

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July 2012 Artwalk

"Adaptation" by Amy Guidry; acrylic on canvas; 36"w x 48"h; (c) Amy Guidry 2007

It’s time again for the Second Saturday Artwalk in downtown Lafayette!  And the hours have now been extended so it will take place from 6-9pm!  More time to check out more great art.  Here is the line-up for July 14th’s Artwalk (and I will be participating this month as well so stop by and say hello!):

Acadiana Center for the Arts– 101 W. Vermilion St. / 337-233-7060
Main Gallery: May 12, 2012 – July 14, 2012- Southern Open 2012
Side Gallery: July 14, 2012 – August 4, 2012- Generic Art Solutions: “Bullet Proof”
James S. Mallia Galleria: June 2, 2012 – August 11, 2012- Inhabiting Horizons: Capturing Fleeting Spaces by: John Oliver, Emee Morgan and David Webber
Coca-Cola Studio: June 9, 2012 – August 4, 2012- Another Time: Paintings by Carolyn Scalfano Faulk and Eric Todd
Vault Series: July 14 – August 25, 2012- Gary Rock

Arts Co-op– 535 1/2 Jefferson St. / 337-344-8657
“Go Figure”-Figure Show and Body Studies

The Ballet Académie Gallery– 200 Polk St. / 337-280-0964
New Realm- Works by Amy Guidry

Cajun Spice– 535 Jefferson St / 337-232-3061
Phyllis Smith

Cité des Arts– 109 Vine St. / 337-291-1122
Danny Clanton

Gallery 549– 549 Jefferson St. / 337-593-0796
Group exhibition

Gallery R (at The Russo Group)- 116 E. Congress St. / 337-769-1530
Sonny Monteleone

Lounge Art Gallery– 402 S. Buchanan St. / 337-236-5570
“To the Water…………” group exhibition

Sans Souci Gallery– 219 E. Vermilion St. / 337-266-7999
Luis Perez

Zoom Photo Studio– 205-AW. Vermilion St. / 337-781-2036
Chris Perkins and Travis Gauthier

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Pay to Play

I’ve mentioned vanity galleries on here before but given some recent discussions, I felt it necessary to post about this controversial topic again.  I can tell you that I have never heard of anyone ever selling out a show or gaining ANY type of success from a vanity gallery.  Never.  If that were the case, we’d hear other artists singing their praises.  I know that it sounds great- a solo show in a major city (usually New York).  But that’s all you are getting.  A show.  There will never be a single show that will send your career into the stratosphere.  You’re thinking, right, of course not.  Well, if you’re willing to pay around $3000 plus all other costs associated with a show, then that show sure as hell better send your career into the stratosphere.  But again, that doesn’t happen.  So why even entertain the thought of showing in a vanity gallery?

OK- so here is the breakdown:

Vanity galleries are any gallery that require the artist to pay in order to show with them.  Not to be confused with a co-op gallery, which is owned and operated by the artists involved.

Vanity galleries charge an outrageous fee, this ranges anywhere from $1500- $3000 or just shy of selling a kidney.

Most vanity galleries also require that the artist install and de-install the show themselves.  Aside from this being a lot of work for the artist, after all, what are you paying the gallery for, but you’ll probably need a plane ticket as well if you don’t already live nearby.

Let’s not forget you are also responsible for shipping costs.  Plus you’ll be paying return shipping when the work does not sell.

You’ll most likely be responsible for invitation costs, so aside from printing costs, postage adds up quickly.

Vanity galleries do not push for sales.  Sure, the work is for sale, but nobody is going to work hard to sell it for you, they’ve already got your $3000, remember?

Many vanity galleries require that you do your own gallery-sitting anyway, so you’d be the only salesperson in that case.

You’ll also be responsible for drinks and food during the reception.

Lastly, and this is probably the worst of them all, your reputation is sullied in the eyes of “real” galleries.  Galleries know who the vanity galleries are and do not look kindly upon them.  If you think you’ll get a show with an established gallery with a vanity gallery on your resume, you are dead wrong.  Sorry to be so blunt, but I’m telling it like it is.  Galleries want to show artists that are successful based on their merits, not on how much they’re willing to pay their way to “success.”

And so, the big question here is “what are you paying for exactly???”  Just what does $3000 pay for?  Why does the gallery need that money?  I would love to hear their response.

If you’ve shown with a vanity gallery, the best thing you can do is to remove any mention of them from your resume, website, blog, social media sites, etc.  Make as if they don’t exist and move on.  Galleries that are new to your work don’t have to know.  Consider it a learning experience and just keep moving forward.  If you are still considering showing with a vanity gallery, the only other thing I can recommend is to Google them.  Look up their name with the word scam or just look up their name alone.  More than likely you will find horror stories and you can hear directly from artists that did participate.  Just keep in mind that no career was made overnight.  Even “superstars” that appear out of nowhere have been behind the scenes, working diligently for years and years, except no one was aware of that part.

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In the Eye of the Beholder

As you may recall, I posted earlier that I would be the juror for the Eye of the Beholder XXVI competition at the Lafayette Art Association.  I made my selections for the awards (note: you’ll have to wait until the reception to know the results- my lips are sealed) and upon writing my juror’s statement, I thought it might be helpful to those that enter or even attend such events to know what it is like from the other side.  First, I am an artist- I am usually the one submitting my work for judgement, be it a juried exhibition, an exhibition proposal to a gallery, or a portfolio review.  I’ve always had some semblance of what it must be like for a juror to sort through hundreds of entries, having to make tough calls, and break hearts.  Given the fact that I am an artist and know firsthand what it is like to be on the receiving end, I know how significant my choices are to the artists involved.  In some ways I think it may be harder for artists to serve as jurors simply because we know what it is like to subject ourselves to these critiques.  Some of the artists were complete beginners up against established artists.  Nevertheless, I remained as objective as possible and looked at each piece as an individual.  It was not easy given there were many strong works.  There were even significant works that did not receive an award.

After I made my selections, I felt good about the variety of work, in which my eclectic taste came in handy for once.  I would have loved to give everyone an award for their efforts and to acknowledge the merits of their work but at the same time, I wouldn’t want to diminish the awards for those pieces I felt were particularly strong.  It is a tough call, and I can say from experience that there are many factors involved in judging a show, some of which are completely out of the artist’s hands and are nothing against the work itself.  Sometimes the only difference between an award-winner and a non-award winning piece is an emotional response.  That doesn’t mean the work isn’t any good- it’s my response, therefore it will be different from person to person.

In the end, I hope that the artists know that they have all contributed to make a great exhibit.  I also hope that they continue to challenge themselves as well as aim for more exhibits and competitions.  And the take-away here is just because a piece isn’t selected doesn’t mean it should be taken out of rotation.  If it’s a work that you are fond of, keep submitting it for other opportunities.

If you would like to see the results and show your support for the artists, please attend the awards reception on August 19th from 4:30-6pm at the Lafayette Art Association on 1008 E. St. Mary Blvd.

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Art Melt

"Survival of the Fittest" by Amy Guidry; acrylic on canvas; 36"w x 18"h; (c) Amy Guidry 2012

Excited to announce that my work has been selected for the 2012 Art Melt.  The jurors for this year’s event are Franklin Sirmans (Terri and Michael Smooke Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art);  Ron Platt (Hugh Kaul Curator of Modern and Contemporary Art, Birmingham Museum of Art); and Thomas Neff (Artist and Professor, Louisiana State University).  The event will be held at the Shaw Center for the Arts in Baton Rouge, LA.  There will be a Preview Party in which awards and a jurors’ talk will be given on July 13th from 7-11pm.  The opening reception for the event will be held July 14th from 5-10pm and will remain open through August 3rd.

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Summer Show

"The Pack" by Amy Guidry; acrylic on canvas; 20"w x 10"h; (c) Amy Guidry 2012

I received some great news recently that my painting The Pack was selected for inclusion in the STAA 47th National Juried Exhibition- The Summer Show.  The juror for the show is Miranda Lash, Curator of Modern and Contemporary Art for the New Orleans Museum of Art.  The Pack is from my In Our Veins series and is an acrylic on canvas, 20″ wide by 10″ high.  The exhibit will open July 14th, with an opening reception from 6-9pm at The Art House gallery in Covington, LA.  The show will remain open through August 11th, with a closing reception as well from 6-9pm with a talk by several of the exhibiting artists.

Selected artists include: Michael Aldana, Casey Ausman, Peter Barnitz, Emily Binder, Andrew Boyd, Heather Brammeier, Alma Bryan Powell, Joshua Chambers, Yvette Creel, Robert Dutruch, Michael Elliott-Smith, Ellen Fisher, Pippin H. Frisbie-Calder, Richard Gilles, Amy Guidry, Kelly Hider, Jane Hill, Claire Lewis Evans, Patrick Lera, Patrick Luber, Don Maitland, Erin McKee McNutt, Sally Richards, Leslie Robertson, Kate Ryan, Charles Simms, Terry Vermillion, and Jaclyn Warren

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