Detail from "Survival of the Fittest" by Amy Guidry; (c) Amy Guidry 2010
There are currently three sites posting my work, two of which include new interviews. First, as mentioned in an older post, my work was selected for inclusion on the beinArt Surreal Art Collective site. If you are unfamiliar with the site, it is an online collection of surrealist works by renowned artists (many are my personal heroes) such as Ron English, Laurie Lipton, and Kris Kuksi. I’m really excited and honored to have my work included among such great artists. Check out my profile at beinArt.org-Artists-Amy Guidry.
Two recent interviews are posted online as well. First, I had an interview with Guy Sangster Adams of the U.K.’s “Plectrum- The Cultural Pick.” It’s a great interview and Mr. Adams had some wonderful comments about my work so check it out at Plectrum-Exhibition/New Work Preview and Interview:Amy Guidry.
The second interview was with Silvia Moreno-Garcia of the Canadian zine, Innsmouth Free Press. Another round of interesting questions, which you can check out on their site at Innsmouth Free Press- Interview:Amy Guidry.
Artist Amy Guidry with her work at the Slidell Cultural Center at City Hall
No one cares about your art more than you do. It’s true. It’s not unlike showing your vacation photos to everyone. They mean well, but after about two minutes, the enthusiasm wears off and their eyes glaze over. I was inspired to write this after going through some old art magazines to clear out the mountain of periodicals I’ve saved. I came across a rather disheartening article in a very popular magazine. The author was giving advice on how to be a successful artist. Some of the author’s tips? Paint what sells- not more “complex” paintings, don’t bother showing in libraries or university galleries since they don’t generate sales (museums usually don’t either, but I don’t know an artist alive that wouldn’t jump at the chance to show in a museum), and sell on Ebay- specifically bright, colorful, quick paintings- no drawings. I know better than this and even I found it depressing! I can only imagine what other artists must think.
So this is what leads me to my frustration. I don’t care who they are or if they mean well, no one truly cares about your art or your art career as much as you do. This is why you are the only one that can determine what your goals are and if, at the end of the day, you’ve done all that you can to achieve those goals. Don’t listen to the naysayers, the haters, the critics, the cynics, or the non-believers. What do they know anyway? Even some of the experts can’t always predict what you, personally, need to do. That’s why it’s up to you to take in all this information and filter through it and find what is applicable and toss away what’s not. You know what you need to do. You know if your work is the best it can be. You know what you should create. If you try to “paint what sells,” you’ll be chasing your tail for quite some time. Popularity changes as do marketing trends. Something that sells one day, won’t the next. That’s why there are trend analysts that make a living at this. Great work is great work and it will attract its own popularity. And while I’m at it- if you were to avoid university galleries, libraries, museums, or any other venue for fear of little to no sales, you wouldn’t be an artist, would you? I couldn’t imagine not having the experience of seeing art, especially when I was a student, at a university gallery or museum. Some of the most significant shows of our time come from these venues.
In my own personal experience, I’ve heard it all. I’ve been told what I should paint, how I should paint, and I’ve even had a drunk non-artist tell me what is and isn’t art. When I made the decision to paint and to try to get into a gallery exhibit, even one of my “good” friends told me that I couldn’t do it. It’s a good thing I didn’t listen to any of these people, otherwise I may not have even been an artist at all. Anyone listening to that kind of advice would quit before even starting. Don’t make that mistake. If you’re already a working artist, just keep on trucking. If you’re just starting out, stay focused and put your blinders on. And maybe invest in some good ear plugs.
Being a true artist takes grit. There’s a lot of blood, sweat, and tears, and you’ll need to develop a thick skin. However, I can’t imagine a more rewarding experience. I always like to think of these words by Ralph Waldo Emerson: “Nothing great was ever achieved without enthusiasm.”
If you’d like to learn more about my own work and what I’ve been up to, check out my website at www.AmyGuidry.com.
Amy Guidry's painting "Food or Pet? How Do You Decide", Wally Workman Gallery, Austin, TX
First, check out galleries that you think may like your work. You should never just blindly send out your portfolio, resume, what have you to a gallery without determining if they’re the right fit. And this should go without saying, but be sure that they are a gallery! Attend openings, meet curators, dealers, gallery owners and directors. If you can’t physically make it to a gallery, at the very least, you should check out their space online. Get to know the artists that they show. Can you see your work fitting in with a group exhibit of these artists?
Once you’ve determined which gallery or galleries you are interested in, you should prepare your presentation. These days, email is so common (sometimes it’s preferred) that I think it is okay to submit your work via email. However, if a gallery has a submissions policy, be sure to abide by that. If not, they’ll toss your work in the trash. If the submissions policy is not a clearly stated link on their website, try looking under the Contact Us page. If there is absolutely no information, contact the gallery for their guidelines.
Whether you submit your work via email or postal mail, be sure that your presentation is professional. First, get the name of the person you need to contact. Whether it’s the director, the curator, or the manager, find out their name. I know from personal experience, many just blindly send an email without even acknowledging my name. Why would I want to show their work (again, I’m not a gallery, but let’s pretend for a second) if they don’t even know who I am? So find out their name. Google it, ask someone, or contact the gallery itself- just find out!
The rest is easy. This is where you should put together your bio and/or resume, portfolio, and any other relevant information. You should have all of these at your fingertips already, but if not, now is the time to start. Make sure that all of your information and images are up to date. And be sure to spell check. It’s the little things that matter, so be sure to dot your i’s and cross your t’s.
If you send your information via email, be sure to use small image files. If you load down their inbox, they won’t be happy or they may not even receive your information at all. It could bounce or end up in a spam filter. So keep it small- 4MB total is best.
Sounds simple, and it really is if you keep everything up to date. Again, if you have any questions, don’t hesitate to contact me. www.AmyGuidry.com
As promised, here is my second post for the day. I was recently at the Wally Workman Gallery 30th Anniversary exhibit opening. It was packed, to say the least. Luckily, there were a few moments to get some photos (you pretty much have to wait until the crowd clears and then jump in with the camera). So here are a few photos for those of you that couldn’t make it. (Though there is still ample time since the exhibit is up through September 4th.) Actually, I would recommend that anyone at the opening come back for a second look. It is very difficult to get a good view of the art when it’s that crowded. One woman told me she felt claustrophobic! All in all, great show and should not be missed.
Oh, and for more photos from the 30th Anniversary exhibit, check out Michael Barnes’s post on Austin360.com. I am featured in one of the photos from the opening- here is the direct link- www.Austin360.com. And to view more of my work, visit www.AmyGuidry.com.
Artist Amy Guidry with her work at Wally Workman Gallery
Viewers at the 30th Anniversary exhibit
Artist Amy Guidry with Rachel Haggerty, Assistant Director of Wally Workman Gallery
Live music at the 30th Anniversary exhibit, Wally Workman Gallery
Viewers at the 30th Anniversary exhibit opening
Installation view of Amy Guidry’s paintings at Wally Workman Gallery
Just a quick post this evening… sorry about that. Lots going on, which means I will have more to share soon. My work is currently on exhibit in the 2010 Art Melt at the Louisiana State Museum. As mentioned previously, the jurors for this year’s exhibit were Andrea Pollan, Executive Director of The Curator’s Office in Washington, D.C.; Denny Mecham, Executive Director of the Ohr-O’Keefe Museum in Biloxi, MS; and Paul Dean, Associate Professor at the LSU School of Art. The exhibit is up through August 28th. So here are a few photos from the preview party…
Artist Amy Guidry with juror Andrea Pollan, Director of The Curator’s Office
Viewers at the 2010 Art Melt, Louisiana State Museum
Amy Guidry with co-exhibiting artist Ralph Bourque
Another bit of news to mention- Avi Abrams of Dark Roasted Blend recently featured my work as part of their Surreal Art Update. It can be found under the page “Schizophrenic Episode Simulation.” View it at Dark Roasted Blend. And to view more of my work, be sure to visit www.AmyGuidry.com.
"Survival of the Fittest" by Amy Guidry; (c) Amy Guidry 2010
Well, after several months of diligent painting, I have finally finished my latest work. The photos here don’t do it justice since this piece is insanely detailed and a fairly good size, so check out the larger pic on my website at www.AmyGuidry.com. This painting is from my “In Our Veins” series and is acrylic on canvas, 36 inches wide by 18 inches high. I almost forgot- the title is “Survival of the Fittest.” I’ve always been interested in the notion that one species will harm their own kind in order to survive. In addition, humans will use other species for their own survival, hence the cows. The cows that are falling (or jumping or floating- that’s the viewer’s call) are injuring the cows below them. They are reminiscent of the images from slaughterhouses I’ve seen of cows hanging from large hooks, while the cows below mimic those that have been skinned or butchered. To summarize, the entire image is surreal and maybe even a bit absurd, but I think many times the reasons we kill, be it animals or humans, are absurd.
If you would like to see this painting in person, it is currently at Wally Workman Gallery and will be part of their 30th Anniversary exhibit. The opening and blowout party is August 7th from 6-8pm at Wally Workman Gallery in Austin, TX.
“And Justice for All. Void Where Prohibited” by Amy Guidry; (c) Amy Guidry 2010
Detail, “And Justice for All. Void Where Prohibited” by Amy Guidry; (c) Amy Guidry 2010
Detail, “And Justice for All. Void Where Prohibited” by Amy Guidry; (c) Amy Guidry 2010
Just found a new home for another painting! This piece is “And Justice for All. Void Where Prohibited.” I recently exhibited it in the Forum for Equality “Fight for Your Rights” exhibit at The Alamo in Lafayette, LA. It’s a large painting- 40 inches tall by 30 inches wide and an acrylic on canvas. I’ve included a couple of detail shots since a lot is lost in a small jpeg of such a big piece. Just click on the images for the full view. There are other paintings from this series that are available, so be sure to check them out on my website. Several series are featured in my gallery, but the direct link to this particular group is www.amyguidry.com/anti-aging.html.
"Untitled (Heads)" by Amy Guidry; (c) Amy Guidry 2010
Many probably view summer as a time for a break… eventually I may get to that point. I’ve been switching gears from one show to the next and have a few blog appearances. And I’ve sold two older works that were the “last of their kind,” so to speak. If you’ve been following along, you may recall that I’ve just wrapped up a show with the Schepis Museum. I have three more events coming up, though, and they are right around the corner. First, my work will be in the 2010 Art Melt in Baton Rouge, LA at the Louisiana State Museum (July 15th is the Preview show). Next up is the 30th Anniversary Exhibition at Wally Workman Gallery in Austin, TX (August 7th from 6-8pm). Then I will have work in the “Hot August Night” event at The Oak Street Gallery in Hammond, LA (August 20th from 6-10pm).
Exhibit curator Colin Miller’s speech for the Forum for Equality
Amy Guidry with co-exhibiting artist Stephanie Patton
Installation shot of my work
I wanted to share some photos from my night at the Forum for Equality exhibit. The Lafayette chapter of the Forum for Equality held a group exhibition- “Fight for Your Rights” at The Alamo. I was honored to be invited to participate for such a great cause. The exhibit coincided with the Forum’s event to get the public involved in the fight for equal rights and support the LGBT community. For more information on the Forum for Equality, visit their website at www.ForumforEquality.com. There was a great turnout for the show, lots of support, and a lot of fun. I have a few photos posted here but more can be found under the events section of my website at www.AmyGuidry.com.
I received news the other day that my work was selected for this year’s Art Melt in Baton Rouge. So looks like my new work is going to get some more exposure! The 2010 Art Melt will be held at a new venue this year- the Louisiana State Museum in Baton Rouge, LA. The jurors for this year’s exhibit were Andrea Pollan, the Executive Director of the Curator’s Office in Washington D.C; Denny Mecham, the Executive Director of the Ohr-O’Keefe Museum of Art in Biloxi, Mississippi; and Paul Dean, Associate Professor at the LSU School of Art in Baton Rouge, LA. The exhibit will open July 16th and remain up through August 28th. There will be a preview party on July 15th from 6:30-10pm.
For more information, check out their website at www.ArtMelt.org. And for more information on my work and to view my portfolio, visit www.AmyGuidry.com.