Tag Archives: contemporary

Visions of the Unnatural World

I’m a little slow to post these given my show at Barrister’s Gallery ended June 23rd.  Nevertheless, I wanted to share photos from the opening reception for my 3-person exhibition, “Visions of the Unnatural World.”  It was a really great exhibit and a great pair of artists – Nikki Crook and Monique Ligons – to show with.  More photos are also online here: http://www.amyguidry.com/events.html.

Artist Amy Guidry with her painting "Survival of the Fittest" (center)
Artists Monique Ligons, Amy Guidry, and Nikki Crook with their work, respectively, at Barrister's Gallery, New Orleans
"Symbiotic" by Amy Guidry; acrylic on canvas; 11"w x 14"h; (c) Amy Guidry 2011; SOLD
"Stallions" and "Mother Nature" by Amy Guidry; 6" x 6" each; acrylic on canvas; (c) Amy Guidry 2012
Installation view, Barrister's Gallery, New Orleans, LA

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In the Mail

New postcards featuring "Succession" by Amy Guidry

Just got my new postcards in!  My new painting Succession is on the front cover as well as my upcoming exhibitions list on the back.  If you would like to receive one, sign up for my postcards here: http://www.amyguidry.com/contact.html.  (Just click on the postcard icon.)  And for the over 500 (!) people that are already on my mailing list, be on the lookout for your new cards in the mail this week!

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Posi+tive Magazine

Posi+tive Magazine: Interview with Amy Guidry- Between Photorealism and Surreal Composition

I’m excited to announce my recent interview for Posi+tive Magazine is now online.  I am honored to be featured and thank Editor Matilde Casaglia for the interview.  Many paintings from my In Our Veins series are included as well.  You can check out the entire feature at this direct link: http://www.positive-magazine.com/art/interview-with-amy-guidry-between-photorealism-and-surreal-composition/.

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Sold

"Spring" by Amy Guidry; acrylic on canvas; 5" x 5"; SOLD; (c) Amy Guidry 2009

I just realized that I’ve been slacking a bit and did exactly what I would tell other artists not to do.  I forgot to get photos of a few paintings.  They were in an exhibit almost immediately after being finished, hence the mistake.  Though I’ve had plenty of time since then to rectify it….  One is now sold, which at least if I need a photo of it I can get one from the buyer, but that is not always the case, therefore it’s important to always document.  The good news is I do have a photo of the other painting that sold- Spring.  Both paintings are acrylic on canvas, 5″ x 5″ each, and from my New Realm series, which you can see the larger paintings in the series here: www.amyguidry.com/beginning.html.

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Muse Musings

I get so many questions about my work ranging from simple to philosophical, so today I thought I’d post about one of the more fun ones.  Sort of a Where’s Waldo post.  So some of you have asked about the models I’ve used in my paintings, which have always been varied from series to series.  However, there is one model that has been used for almost every body of work.  If you’ve been following my work since the early days, you probably know the answer to this.  Aside from using my own face, the next cheap and readily available model I know is my husband.  Depending on the painting, some are an exact resemblance, some take artistic license, and some don’t even feature his face (i.e. Everything’s Coming Up Roses).  So here are some of the paintings he has appeared in some form or another:

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In the Eye of the Beholder

As you may recall, I posted earlier that I would be the juror for the Eye of the Beholder XXVI competition at the Lafayette Art Association.  I made my selections for the awards (note: you’ll have to wait until the reception to know the results- my lips are sealed) and upon writing my juror’s statement, I thought it might be helpful to those that enter or even attend such events to know what it is like from the other side.  First, I am an artist- I am usually the one submitting my work for judgement, be it a juried exhibition, an exhibition proposal to a gallery, or a portfolio review.  I’ve always had some semblance of what it must be like for a juror to sort through hundreds of entries, having to make tough calls, and break hearts.  Given the fact that I am an artist and know firsthand what it is like to be on the receiving end, I know how significant my choices are to the artists involved.  In some ways I think it may be harder for artists to serve as jurors simply because we know what it is like to subject ourselves to these critiques.  Some of the artists were complete beginners up against established artists.  Nevertheless, I remained as objective as possible and looked at each piece as an individual.  It was not easy given there were many strong works.  There were even significant works that did not receive an award.

After I made my selections, I felt good about the variety of work, in which my eclectic taste came in handy for once.  I would have loved to give everyone an award for their efforts and to acknowledge the merits of their work but at the same time, I wouldn’t want to diminish the awards for those pieces I felt were particularly strong.  It is a tough call, and I can say from experience that there are many factors involved in judging a show, some of which are completely out of the artist’s hands and are nothing against the work itself.  Sometimes the only difference between an award-winner and a non-award winning piece is an emotional response.  That doesn’t mean the work isn’t any good- it’s my response, therefore it will be different from person to person.

In the end, I hope that the artists know that they have all contributed to make a great exhibit.  I also hope that they continue to challenge themselves as well as aim for more exhibits and competitions.  And the take-away here is just because a piece isn’t selected doesn’t mean it should be taken out of rotation.  If it’s a work that you are fond of, keep submitting it for other opportunities.

If you would like to see the results and show your support for the artists, please attend the awards reception on August 19th from 4:30-6pm at the Lafayette Art Association on 1008 E. St. Mary Blvd.

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Art Melt

"Survival of the Fittest" by Amy Guidry; acrylic on canvas; 36"w x 18"h; (c) Amy Guidry 2012

Excited to announce that my work has been selected for the 2012 Art Melt.  The jurors for this year’s event are Franklin Sirmans (Terri and Michael Smooke Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art);  Ron Platt (Hugh Kaul Curator of Modern and Contemporary Art, Birmingham Museum of Art); and Thomas Neff (Artist and Professor, Louisiana State University).  The event will be held at the Shaw Center for the Arts in Baton Rouge, LA.  There will be a Preview Party in which awards and a jurors’ talk will be given on July 13th from 7-11pm.  The opening reception for the event will be held July 14th from 5-10pm and will remain open through August 3rd.

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One

“One” by Amy Guidry; acrylic on canvas; 6″x 6″; SOLD; (c) Amy Guidry 2012

Finally finished!  I’ve just completed my painting for The Great West Coast Migration traveling exhibition.  The title is One and it is an acrylic on canvas, 6″ x 6.”  The exhibition is organized by PangeaSeed and will benefit sharks and oceans in Japan and abroad.  Given that so many sharks are killed for their fins (a delicacy in Japan and China), this cause was of particular interest to me not only as an artist but as a vegan as well.  People often think of sharks as vicious predators, (thanks, Media!) when in fact, they do not seek out humans and only a small percentage of shark attacks occur each year.  I wanted to focus on them as being part of this world and just as significant as the rest of us.  I combined the human faces with the shark body to illustrate them as one, or equals.  The shark body floats in the air, in keeping with many of my other paintings, but also mimicking the hunted, hanging sharks I so often see.  Such a simple title- One– and such a simple concept, yet we still struggle to see our planet as something to share rather than dominate.

The exhibition will begin this summer at the following galleries:

Seattle – Roq la Rue Gallery- July 13-15
Portland – Grass Hut Co.- July 20-22
San Francisco – Spoke Art Gallery- July 27-28
Los Angeles – LeBasse Project- August 2-4
Costa Mesa – The Artery- August 10-12
San Diego – Space 4 Art- August 17-19

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Perspective

"Perspective" by Amy Guidry; acrylic on canvas; 4" x 4"; SOLD; (c) Amy Guidry 2012

I’ve just added another new painting to my In Our Veins series.  It is a 4″ x 4″ painting, acrylic on canvas, $100, titled Perspective.  This is yet another example of why I use such tiny paintbrushes.  The hare heads are about the size of a dime.  The heads are representative of the typical view of animals- that they are simply a means to an end and are just parts and pieces we use or eat as opposed to sentient beings.  I, however, don’t see them this way- hence the title Perspective– which is why I depict them in a manner that emphasizes the expressions of their faces or light colored, “human-looking” eyes.

View the painting and purchase information on my website here: www.amyguidry.com/perspective.html.

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The Sum of Its Parts

“The Sum of Its Parts” by Amy Guidry; acrylic on canvas; 11″w x 14″h; SOLD; (c) Amy Guidry 2012

I have finally finished the painting that I mentioned last week.  I’m excited to reveal my latest work in the In Our Veins series titled The Sum of Its Parts.  It is 11″ wide by 14″ high and an acrylic on canvas.  I think I set a record for going through the most paintbrushes in one painting.  I took artistic liberties with the size and placement of the stag’s heart to emphasize its significance and to center it up with the animals falling out.  Without being too graphic, I wanted to illustrate when one species dies, many other species are affected.  Each animal serves a role in the life cycle, together forming the delicate balance of nature.  The trees not only close in the composition, but connect with the animals via the roots seen at the bottom and illustrate the role of plant life and the Earth.  The butterflies, which are often seen throughout this series, serve as metaphors for life and beautiful little reminders of our short existence in the scheme of things.  A larger view of the painting can be seen here: www.amyguidry.com/sum-of-its-parts.html.

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