I will have work in the upcoming “Emerging to Established” group exhibition at Krause Gallery in New York, NY in January 2017. The exhibit opens January 7th, 2017 with a reception from 6-8pm and will remain up through January 31st.
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Several of the small paintings from my In Our Veins series are now $100 for the month of December. There are a few 4″ x 4″ paintings still available as well, so I’ve included them in this group since they are also $100. This offer is available through December 31st, so there’s time for those looking to get something for the holidays or to get a piece they’ve been eyeing for their own walls. To purchase, contact me directly at https://amyguidry.com/contact.html.
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My painting, Vitality, will be featured in the upcoming “Wanderlust” exhibit opening this weekend at Modern Eden Gallery. This piece is an acrylic on pressed paper, 5.82″ wide by 4.13″ high. The opening reception will be this Saturday, December 10th, from 6-9pm at Modern Eden Gallery in San Francisco, CA. And if you miss the opening, the show will be up through December 30th.
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I’m happy to announce that my painting, Preservation, is on the cover of the new EP by the band, Levees. The EP, Another Medicine, is out as of today. And if you are in New Orleans, be sure to check out Preservation in person while it is currently at LeMieux Galleries.
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In the midst of some other projects I have going on, I managed to finish a couple of small paintings in my In Our Veins series. These are part of a sub-series of 4″ x 4″ paintings. Revival and Emergence are both acrylic on canvas, 4″ by 4.” View these and two other available small paintings here:
Revival https://amyguidry.com/revival.html
Emergence https://amyguidry.com/emergence.html
Evanescence https://amyguidry.com/evanescence.html
and Stem https://amyguidry.com/stem.html
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I’ve just finished a couple of new paintings in my In Our Veins series. These are part of the subset of smaller paintings in the series, both acrylic on canvas, 4″ by 4.” Both paintings refer to our connection to nature, with Spring linking flora and fauna and Rebirth referring to the life cycle. View them online here: http://amyguidry.com/rebirth.html and here: http://amyguidry.com/spring.html.
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My work was recently published on the cover and inside The Journal literary magazine. My painting Vital is wrapped around the front and back cover while several other paintings from my In Our Veins series are inside. In addition, there is an interview in which I’d like to share just one of the questions because I think it’s an important one:
SS: Is there anything you can tell me about this work that someone who doesn’t have expertise might not see or appreciate?
AG: I think people need to realize this: they are much more astute when it comes to art than they give themselves credit for. True art will elicit an emotional response from someone, whether it’s a positive or negative reaction. For those that enjoy my work, they often tell me that something resonates with them. It may not be exactly what I expect the viewer to respond to, but it’s in the ballpark. There have been times when someone finds my work “dark” and therefore they are unsure of it. I would still consider that an accurate response because I deal with some tough issues in my work. Animals are beautiful, nature is beautiful, and I’m trying to create something that is beautiful but at the same time sends a message. Either way, I want to draw attention to these issues and inspire others to take action, even if it’s just small changes because every little bit helps. That’s the takeaway I hope for when anyone looks at my work, whether they have an art degree or not.
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I’ve been diligently working on a new painting in my In Our Veins series. I have not decided on a name yet, but it is a representation of the connection of all life to the natural world. The first layer of paint has been roughed in and I’m currently working on the horse, adding color, depth, and detail to the muscles and veins. It is an acrylic on canvas, 20″ wide by 10″ high. View more from this series here.
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I’ve recently finished three new paintings in my In Our Veins series. Two of which are from my smaller, 4″ by 4″ paintings. I was particularly interested in doing a piece on forest clear-cutting because it is the first thing that comes to mind when thinking of global warming. The smaller paintings, Inseparable and Evanescence, are in reference to the connection of all life, which is the overarching theme of this series. View the paintings online: http://amyguidry.com/clear-cut.html, http://amyguidry.com/inseparable.html, and http://amyguidry.com/evanescence.html.
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My painting Preservation is featured on the current cover of the Denver Quarterly. Aside from being on the cover, I’m also happy to have another opportunity to get the message out regarding animal and ecological welfare. The circle of leaves was an image that came to mind before falling asleep, and I made note of it in my sketchbook. Using the leaves to replace the head (which is in keeping with some recent paintings where I use landscapes or trees in place of heads), represents the connection of all life forms. Nature is so much a part of us that I freely use trees or landscapes in place of heads or limbs, just to emphasize that connection and significance.
The small lot of land the deer stands on is in reference to our dire need to conserve wild land and forests. The natural space is shrinking due to deforestation. All the more reason to plant trees and support organizations that preserve natural habitats.
In many of my paintings, I use the eyes and facial expressions of animals to convey a sense of connection and relatability, but lately I’ve been doing the opposite and feature animals without faces or covered faces. I’ve been exploring the idea of Anonymity vs. Connection- without seeing their faces, does that make them any less personable or meaningful? And how does this apply on a global scale?
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