{"id":1869,"date":"2011-08-01T12:55:20","date_gmt":"2011-08-01T18:55:20","guid":{"rendered":"https:\/\/artistcommentary.com\/?p=1869"},"modified":"2011-08-01T12:58:48","modified_gmt":"2011-08-01T18:58:48","slug":"my-moleskine-magazine","status":"publish","type":"post","link":"https:\/\/artistcommentary.com\/?p=1869","title":{"rendered":"“My Moleskine” magazine"},"content":{"rendered":"
\"\"<\/a>
Artist Amy Guidry with her painting, "Trophy," at the Louisiana State Museum<\/figcaption><\/figure>\n

I recently did an interview with Michael Rakov for the Russian arts magazine, “My Moleskine.”\u00a0 I’m happy to announce that the interview is now online- in Russian, of course- http:\/\/www.mymoleskine.ru\/2011\/08\/okorok-ili-grudinka\/<\/a>.\u00a0 I can say that trying translations through Google and Yahoo Babel Fish produced different results, each being a bit off.\u00a0 So, I do have the original interview in English to post here (minus the introduction written by Mr. Rakov, since I don’t have that in English):<\/p>\n

1.\u00a0\u00a0\u00a0 How did you start making art? Maybe there are any funny stories that were associated with it? Tell us about it.
\nI started drawing as soon as I could hold a crayon.\u00a0 On occasion I would be allowed to use more \u201cadvanced\u201d (which also meant messy) art supplies such as oil pastels.\u00a0 I was fascinated by their richness and the colors produced.\u00a0 I would draw all the time and literally produced so many drawings my mother had to throw some of them out.\u00a0 I would go through an entire package of typing paper in a week.\u00a0 As I got older, I was interested in other media such as graphite, pen and ink, and charcoal.\u00a0 My work became more detailed so I utilized more pen and ink and sometimes charcoal pencils since they allowed for more precision than sticks of charcoal.
\nAs a child, I was always creating through various means, so it was something that came to me naturally.\u00a0 I knew even at a young age that I wanted to be an artist professionally one day.\u00a0 I was about eight years old when I decided that my \u201cjob\u201d would be to paint for museums, not realizing that museums do not actually pay you to paint all day and then just stick your work on their walls.\u00a0 By the time I was in college, I decided that I needed to study graphic design and work in the more commercial realm of art.\u00a0 I, like many artists, believed that it was impossible to earn a living as an artist unless you worked in the design field.\u00a0 I did this for over eleven years, but eventually I could not deny my initial desire to paint.\u00a0 I started reading anything I could find regarding running a business, marketing, sales, etc.\u00a0 I devised a plan to reach my goals and followed a timeline to keep myself on target which is how I became a full-time artist.\u00a0 I think about art constantly- from the moment I wake up until I go to sleep- I think of paintings that I\u2019m working on, or paintings that I will do in the future, or I\u2019m thinking about exhibitions I have coming up.\u00a0 It\u2019s a lot of work, but I love what I do.<\/p>\n

2.\u00a0\u00a0\u00a0 What is the basic idea in your works? May be there is philosophy or anything like that? For example, Impressionists wanted to stop impression of moment this was them basic idea. What do you want to tell people with your work?
\nI tend to work in series, so that each is a collective body of work pertaining to a particular subject matter.\u00a0 That being said, each series serves as a platform for tackling social or political issues.\u00a0 Some series are broad in scope, while others hone in on one issue.\u00a0 Art is my way of communicating with the world, raising questions, and presenting ideas.\u00a0 Though I can\u2019t tell people what to do, I hope that my work will at least inspire them or encourage them to reflect on what they can do to help make a difference in the world.<\/p>\n

3.\u00a0\u00a0\u00a0 Your creativity looks like Surrealism, Am I right? But Surrealism is play of senses, meanings etc. What meanings do you play with?
\nYes, I have been influenced by Surrealism from a very young age.\u00a0 In addition to art, psychology was another interest of mine so I gravitated to Surrealism quite naturally since it was the grand marriage of the two.\u00a0 My style has become progressively more surreal, and I am always looking to challenge myself both technically and conceptually.\u00a0 As a result, with my latest series \u201cIn Our Veins,\u201d I have been working with ideas that come from my dreams and free-association exercises, which were both utilized by the original Surrealists.<\/p>\n

“In Our Veins” explores the connections between all life forms and the cycle of life through a surreal, psychologically-charged narrative.\u00a0 Many of the concepts included in the series deal with life and death, survival and the exploitation of other species for one\u2019s own survival, the connections between all life forms, and the delicate balance of nature.\u00a0 This includes the interdependence of the human race to each other and to the rest of the animal kingdom, as well as the planet itself.\u00a0 One cannot exist without the other, therefore it is of the utmost importance that we care for each and every living thing.<\/p>\n

4.\u00a0\u00a0\u00a0 What day was the most crazy of your life? What were you doing during that day?
\nWell, if this is art-related, I do have one story.\u00a0 I was working on a rather complex painting in hopes of including it in an exhibition I had coming up.\u00a0 The painting took me longer than expected, so the day before I had to bring my work to the gallery, I was still working on it.\u00a0 As the hours wore on, I started to realize I was going to have to stay up to finish.\u00a0 I was exhausted, so I drank two Diet Cokes (which I never have caffeine, so these had a strong effect on me) in order to stay awake and paint until 3am.\u00a0 Then I went to sleep for about four hours, got up and finished the painting a matter of hours before going to the gallery.\u00a0 Luckily they are acrylic, which dries quickly.\u00a0 My paintbrushes were in horrible shape by the time I finished.<\/p>\n

5.\u00a0\u00a0\u00a0 Do you do sketches?\u00a0 If you do, What kind of notebooks or special paper do you prefer for that?
\nI do a lot of thumbnail sketches, which are roughly 1-inch square sketches giving the basic idea of a concept with just a few lines and shapes, no detail.\u00a0 I tend to do these types of sketches as an idea comes to mind, so some of them are done on scraps of paper, while others are in a journal or a standard sketchbook.\u00a0 I will sketch on anything in order to remember my ideas at the time.\u00a0 When I do larger sketches, I like to use newsprint paper because it\u2019s cheap and also tracing paper.\u00a0 The tracing paper is useful because I sometimes only want to change one thing in my sketch, so I trace what I\u2019ve already drawn, minus the part I want to change.\u00a0 Then I can compare the two and see what I like best.\u00a0 Sometimes I may have to draw the same sketch three or four more times because of all the changes.<\/p>\n

To learn more (and see more!) visit www.AmyGuidry.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

I recently did an interview with Michael Rakov for the Russian arts magazine, “My Moleskine.”\u00a0 I’m happy to announce that the interview is now online- in Russian, of course- http:\/\/www.mymoleskine.ru\/2011\/08\/okorok-ili-grudinka\/.\u00a0 I can say that trying translations through Google and Yahoo Babel Fish produced different results, each being a bit off.\u00a0 So, I do have the … Continue reading “My Moleskine” magazine<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":51,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[145,1025,1084,34,5,55,543,224,517,13,1085,397,331],"class_list":["post-1869","post","type-post","status-publish","format-standard","hentry","category-press","tag-animal-cruelty","tag-animal-rights","tag-my-moleskine","tag-amy-guidry","tag-art","tag-artist","tag-interview","tag-magazine","tag-painter","tag-painting","tag-russian","tag-surrealism","tag-vegan"],"_links":{"self":[{"href":"https:\/\/artistcommentary.com\/index.php?rest_route=\/wp\/v2\/posts\/1869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistcommentary.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistcommentary.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistcommentary.com\/index.php?rest_route=\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/artistcommentary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1869"}],"version-history":[{"count":7,"href":"https:\/\/artistcommentary.com\/index.php?rest_route=\/wp\/v2\/posts\/1869\/revisions"}],"predecessor-version":[{"id":1876,"href":"https:\/\/artistcommentary.com\/index.php?rest_route=\/wp\/v2\/posts\/1869\/revisions\/1876"}],"wp:attachment":[{"href":"https:\/\/artistcommentary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistcommentary.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistcommentary.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}